Tokyo Ghoul:re - Saišúšó

(Staffel)
Trailer
Japan, 2018, 4 h 48 min (Minutenlänge: 24 min)

Vorlage:

Sui Ishida (Comicbuch)

Drehbuch:

Einoshin Itō

Kamera:

Naoyuki Wada

Musik:

やまだ豊

Besetzung:

Natsuki Hanae, Daisuke Kishio, Sora Amamiya, Natsumi Fujiwara, Mamoru Miyano, Kaito Ishikawa, Ayane Sakura, Ryuunosuke Watanuki, Shinnosuke Tokudome (mehr)
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Inhalte(1)

In modern day Tokyo, society lives in fear of Ghouls: mysterious creatures that look exactly like humans, yet hunger insatiably for their flesh. None of this matters to Ken Kaneki, a bookish and ordinary young man, until a dark and violent encounter turns him into the first ever Ghoul-human half-breed. Trapped between two worlds, Ken must survive the violent conflicts of warring Ghoul factions while attempting to learn more about Ghoul society, his newfound powers, and the fine line between man and monster. (FUNimation)

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Englisch You should never rush to the finish, and yet here you're sprinting straight for it at breakneck speed. Though I smoothly transitioned to the final season from the previous one, I didn't understand most of the first episode, what was going on with who. When similar feelings still haunted me even after the fourth episode, my smile began to fade a bit more. I'm not exaggerating, it happened to me more than once that positive, negative, and conflicting characters were facing each other (either in combat or in conversation) and I was still trying (unfortunately, often in vain) to figure out who was trying to outsmart whom. In short, the decision to cram a similar amount of plot into twelve episodes as previously fit into three seasons came back on the creators and repeatedly blew up in their faces. Fortunately, the second half brings a magnificent, touching, romantic, and though somewhat hurried, fortunately also functional conclusion with everything and the kitchen sink, where every surviving character gets at least a minute of fame. I am only satisfied if I overlook the flaws, but after all the horrific torments, the optimistic tone of the final moments saves a lot. ()