Inhalte(1)

Der ehemalige CIA-Agent Mark Sheridan wird wegen Mordes an zwei Geheimpolizisten verhaftet. Per Flugzeug soll der Gefangene nach New York überstellt werden. Ein verheerender Zwischenfall zwingt die Maschine zur Notlandung. Sheridan nützt das Chaos zur Flucht. Sofort eröffnet US-Marshal Sam Gerard mit seiner Truppe eine erbarmungslose Menschenjagd. Sein Partner John Royce vom Diplomatic Security Service setzt hingegen alles daran, Sheridan zu beseitigen. (ORF)

(mehr)

Kritiken (4)

Prioritäten setzen:

POMO 

alle Kritiken

Deutsch Ein solider Thriller, dessen größtes Handicap der Hauptheld ist. Er ist nicht so markant wie Harrison Ford in seinem Vorgänger Auf der Flucht. Ist er hier aber überhaupt notwendig, wenn wir die coolen Agenten aus dem Team von Tommy Lee Jones genießen können? Nicht super toll, ich habe mich aber nicht gelangweilt. ()

Kaka 

alle Kritiken

Englisch A pretty good action ride that doesn't need to be ashamed of itself even when compared to The Fugitive, which is, let's face it, a class better. Andrzej Bartkowiak's cinematography is fantastic and the low-angle shots are truly not spared, just like the solid action music by Jerry Goldsmith. The highlight of the film is undoubtedly the exhilarating shootout in the cemetery. Tommy Lee Jones practically repeats his Oscar-winning role, and Sam Gerrard once again has that essential ingredient, charisma. ()

agentmiky 

alle Kritiken

Englisch A follow-up to the 1993 film The Fugitive, where Harrison Ford is absent but Tommy Lee Jones reprises his role as Sam Gerard, now taking the lead as the chief investigator. The supporting cast is also noteworthy; while Snipes was rather average, I was pleasantly surprised by Robert Downey Jr., who played an intriguing character with remarkable ease. However, the story doesn’t offer anything new, and at many points, it felt like the screenwriters were struggling with their creation, leading to a sluggish result. I expected a far more thrilling experience with adrenaline-pumping scenes at every turn, but the film didn’t deliver. I don’t understand the extravagant budget; as a TV film, it would be considered quality work, but for something costing 60 million dollars, it’s truly incomprehensible. Nevertheless, since I appreciate Jones as an actor and his charismatic character was one of the few redeeming aspects, the film set a certain bar. But believe me, it’s not very high, and plenty of other productions have comfortably surpassed it. I give it 58%. ()