Regie:
Louis LeterrierDrehbuch:
Zak PennKamera:
Peter Menzies Jr.Musik:
Craig ArmstrongBesetzung:
Edward Norton, Liv Tyler, Tim Roth, William Hurt, Tim Blake Nelson, Ty Burrell, Christina Cabot, Peter Mensah, Lou Ferrigno, Greg Bryk, Martin Starr (mehr)Streaming (5)
Inhalte(1)
Dr. Bruce Banner experimentiert mit hochenergetischen Gammastrahlen. Als ein Versuch allerdings schiefgeht, hat das folgenschwere Auswirkungen auf ihn. Immer dann, wenn sein Puls zu hoch wird, verwandelt er sich nun in einen grünen Riesen mit übernatürlichen Kräften, den Hulk. Der Soldat Emil Blonsky bekommt den Befehl, den Hulk dingfest zu machen und macht sich so auf die Jagd. Aber Banner muss nicht nur sich verteidigen, sondern auch seine Freundin Betty Ross beschützen ... (Puls4)
(mehr)Kritiken (13)
Eine einzigartige Schauspielbesetzung versus eine primitive Charakterisierung der Figuren auf dem Niveau eines 2D-Computerspieles. Der Ehrgeiz eines Monumentalfilms versus ein klischeehafter B-Movie-Charakter. Eine kitschige Bildstilisierung mit einem ernsten Gesicht und eine fetischistisch direkte und selbstzweckmäßige militaristische Action. Kurzum, "completely new level of weird" oder ein unterhaltsames guilty pleasure, das die Goldene Himbeere für den schlechtesten Film des Jahres verdient hat.
()
Ang Lee war nicht weit von der Wahrheit entfernt, aber leider kam sein Hulk zu einer Zeit, in der man noch nicht mit dem protzigen MCU gerechnet hatte. Der unglaubliche Hulk der neuen Generation ist die neueste Interpretation des klassischen Mythos von Die Schöne und das Biest, Frankensteins Monster, Der Schrecken vom Amazonas, Das Ding aus dem Sumpf und anderen. Ich freue mich jedoch, dass Hulk schauspielerisch sehr gute Leistungen von Edward Norton und Liv Tyler bietet, obwohl man das Ganze als Bemühen betrachten könnte - und im Nachhinein nur als einen gewöhnlichen Marvel-Film. Die Romanze von Bruce und Betty ist wirklich lebensecht, ihre geteilte Intimität sehr realistisch. MCU hat mit dem Verlust dieses Paares viel eingebüßt.
()
Im Vergleich zu Lees Hulk wurde dieser Film total einfallslos gedreht. Die Geschichte sieht ungefähr so aus: "Action – Langeweile – eine größere Action – Langeweile – ein bisschen Spannung vor dem Ende – Langeweile – eine überladene Megaaction im Finale". Die sympathischste Figur war für mich der Schuft Blonsky (Tim Roth gefällt mir immer und überall, besonders dann, wenn er einen Verrückten spielt), was wahrscheinlich auch nicht die Absicht der Filmemacher gewesen ist. Leterrier wollte das Publikum vor allem mit digitalen Effekten beeindrucken. Die sind aber nicht besonders gut. Am Ende gibt es so viel davon, dass man es nicht aushalten kann. Der unsympathische Edward Norton hat die ganze Zeit einen einzigen Gesichtsausdruck, Liv Tyler zwei. Diesem Film fehlt aber vor allem eine gewisse Leichtigkeit. Alles wird peinlich ernst dargestellt… Fürchterlich.
()
Von allen Marvel-Filmen fand ich Der unglaubliche Hulk am wenigsten unterhaltsam und actionreich, und was die Geschichte angeht, war sie eher seicht, außerdem fand ich die Figur des Bruce Banner (wer auch immer ihn spielte) nie sehr sympathisch. Ich habe auch einige der Witze und vielleicht sogar einen Plot-Twist im Vergleich zu anderen Marvel-Filmen vermisst, aber es stimmt, dass es einer der ersten Kinofilme in diesem Universum war. Und ich muss zugeben, dass ich ganz froh bin, dass Mark Ruffalo in den nächsten Filmen als Hulk auftritt, denn er passt besser in die Rolle als Edward Norton, obwohl diese Figur sowieso mein absoluter Liebling ist. Kurzum, ein mittelmäßiger Actionfilm über einen "grünen Ganoven", der nur so dahinplätschert und nichts Überraschendes zu bieten hat.
()
In kurzer Folge sah ich die beiden letzten filmischen Verarbeitungen des Comic-Superhelden, und diese neuere ist für mich der Sieger. Es bietet sich eine Reihe von Vergleichen an. Die Schauspielerbesetzung ist hier um eine Klasse stärker. Vor allem Tim Roth ist mein Lieblings-Negativcharakter und stellte hier auch seine Extraklasse unter Beweis. Und gerade seine Figur ist ein weiterer Pluspunkt, in Lees Werk fehlt Hulk der Gegenspieler und Nick Nolte als Hulks Vater, der auf Abwege gerät, kann diese Lücke nicht füllen. Insgesamt ist Der unglaubliche Hulk schwungvoller, von Anfang an reißt er durch seine spannende und actiongeladene Handlung mit und wird dabei nicht um ernstere, romantische oder witzige Szenen ärmer. Und die Szene, in der Hulk mit Abomination zusammentrifft, ist die beste des gesamten Films. Robert Downey Jr. am Schluss bildet das Sahnehäubchen auf der Torte.
()
Early on, Leterrier blows Lee’s work away during the opening credits, but that's where the positives in relation to the previous film end. That there are only three action scenes in two hours doesn’t bother me so much given that even without the Hulk's fights with the army, there is still something going on and it's solidly paced. However, Leterrier's forte is contact fights in an arena or in mafia dens. In the bigger scenes, he desperately steals wherever he can think of, meaning that the opening is "Bourne Morocco," the university ambush replicates Ang's tanks from the desert, and the ending is all about CGI battles. The rest is horribly sterile so that the fated love fizzles out and the viewer shakes his head sadly. But I’m quite curious to see if the team offered at the end will really actually happen.
()
Bruce Banner would have be pleased with this approach. Occasionally he would have been so enthusiastic about it that he would purr like a little baby at his mother’s breast. And in some places he would be so pissed with it that his elastic pants would get too small even for his alter ego. The Incredible Hulk is an amazing joy ride along a sinusoid graph. Nah, I’m kidding. About the sinusoid graph. While at some points and in some scenes it works even better than Ang Lee’s version, as a whole it is a ride half-way to nowhere. Lee’s adaptation is more “Banneresque", while Leterrier’s version is unequivocally “Hulky". How significant. It’s up to you which you like best. I’m reminded of Marvel’s first movie attempt - Iron Man. In that movie, the juice like the style and the actors worked well, but the action element, the finale and even the villain was rather subdued. Here it’s almost precisely the other way round. The villain and the action are ok (but still no miracle), but the rest is just a bit wishy-washy. For instance sparks fly between Norton and Tyler as they would in a microwave oven during a power blackout. Paradoxically it works more at the moments when he appears in that miserable CGI guise. And the movie is rather lifeless in comparison with Iron Man. No jokes, no snappy comebacks (all hail a couple of exceptions). But I’m not saying it’s bad. In the end we have two good genre movies in place of one great one. But, as the ending hints, there’s a lot more in store (and we’ll probably see it soon). Oh, and one more criticism. I would probably rather have seen Liv’s bare chest rather than Norton’s. So fans of America’s substitute for their missing mythology will have a reason to be happy. The rest of us have another quality picture in front of us to join the rather thin ranks of colorfully saucy comic book movies. Somehow, right now I feel like watching a classic version of Jekyll and Hyde...
()
From an antique tragedy interspersed with Marvel action, we've dropped a few steps down. And remained standing in a contradictory mezzanine. Five years after Ang Lee's vision, which was received rather hesitantly, it is no wonder that we were supposed to forget about it from the very beginning. For my part, I could see that version a hundred times, but I give up because I know I am in the clear minority. And yet Louis Leterrier is so excited about the previously overlooked Hulk-smash that he doesn't care much about character depth or traumatic inserts, and the Brazilian intro annoys even him. As for the central characters and their performers, I have to frown a bit as well, because Betty is nothing more than a lovely catalyst for Banner's emotions this time, and Edward Norton's portrayal of the titular hero is occasionally disappointingly shallow. So why the high rating in the end? Because every action scene is an explosive, impressive spectacle that takes your breath away, and Blonsky a.k.a. Abomination boldly joins the gallery of marvel villains waiting to be cursed in the future, for whom I regularly have a weakness. The decisive factor for the fourth star is that this version of Hulk works solely and exclusively as bait for The Avengers. It's true that Iron Man, Thor, and Captain America are a class or two better, leaving Bruce as a small green orphan child, but from a rather unimpressive superhero side gig he ultimately matured into a pleasant one-off treat.
()
I wasn't thrilled that the first Hulk’s original footsteps were abandoned, but it didn't turn out as badly as I expected. In fact, it turned out unexpectedly well. Although the mystery, cleverness, and fatefulness that Ang Lee delivered a few years ago are gone, we're getting a pure-bred action comic book movie, which, for The Hulk, is probably for the first time. I really enjoyed the unchanged Banner's chase scene with the soldiers on the Favela roofs, and I was glad that Leterrier approached it with the same care as, say, the fight between Blonsky and Mr. Green. Edward Norton was great as usual, and Roth and Hurt make worthy opponents. Only Liv Tyler sometimes seemed “weird". I also have to praise highly the music of Craig Armstrong, who was really playful with the soundtrack. Plus, for fans, we also have references to the Avengers and a visit from Robert Downey Jr. I had more fun than I’ve had in a long time.
()
I still don’ t understand why there made an incomprehensible remake of a fairly new movie when it was already clear in advance that it would turn out more or less the same. Hulk doesn't have a good story and doesn't have that potential, he’s too serious and dramatic for a comic book hero. Technically, it's the same as with the previous film: impressive overall, but unfinished in the details. Tim Roth adds the necessary spice to it, Liv Tyler is an ornament (classic), and Edward Norton with his worried face also doesn't interest much. At least the opening credits made a proper “upgrade” and, with it’s solid orchestral accompaniment, it is one of the few captivating things you will see in the movie.
()
A pretty decent sequel that does Marvel no shame. The action scenes are perfectly executed and edited, and Louis Leterrier doesn't spare them, leaving the viewer not much time to think. There can be no complaints about the actors either, Edward Norton is as reliable as ever, Tim Roth handles bad guys like few others and Liv Tyler is really just there for decoration and a necessary romantic motif. But all this clashes with the insanely B-movie content, which has more clichés than a German romantic film where two lovers declare their love on a breathtaking seashore. The Incredible Hulk has no chance of becoming a classic like Raimi's Spider-Man, but it works more than well as an unpretentious comic book flick – and sometimes that's enough. 70%
()
"The Incredible Hulk" is incomparably better than the previous "Hulk", but that doesn't change the fact that it is not a great film. Hulk still lacks a proper film, and I'm just curious if it will ever happen. More: http://www.comics-blog.cz/2013/08/224-neuveritelny-hulk-2008-60.html
()
An action flick with a touch of romance. A brilliantly crafted film that almost perfectly fulfils all the features of the genre. A little more room for Norton and Tyler's relationship would have gone a long way, but that's a very minor flaw.
()
Werbung