The Devil's Rejects

William Forsythe als harter örtlicher Sheriff ist hier ein tüchtiges Gegenpol zu der Rüpelhaftigkeit einer Gruppe von Sadisten, die endlich (Gott sei Dank) auch eins auf die Fresse kriegt. Zusammen mit dem ersten Teil bildet dieses Sequel eine solide Variation von Blutgericht in Texas, die in das Fass des Redneck-Massakers schwarzen Humor und eine leicht perverse Unterhaltsamkeit bringt. Die kleineren Rollen der ikonischen Gesichter des Genres zeigen Zombies Herz. (05.01.2022)

So I finally caught up with this long-delayed film and I am very satisfied. A very raw, dirty, filthy road movie involving so many nasty people you can't even imagine. I also have to praise the very sharp, gritty and funny wisecracks and the decent portion of gore that makes this hixploitation flick very above average. 75%. (23.03.2014)

A very rough film indeed, very close to Hopper's classic The Texas Chainsaw Massacre in its rawness and unrefined conception. Dynamic direction and a lethal pace, and for me personally one of the best horror films of this year. PS: And it stars Leoš Suchařípa! (27.11.2005)

The second time around, Zombie, as a director, doesn't try to create such an evil atmosphere as the first time but rather focuses on making an absolute exploitation film that literally sweeps the viewer away. This isn't a mainstream teenage tea party, but fucking sick and twisted entertainment for strong stomachs. For me, William Forsyth's Sheriff Wydell will henceforth personify the most strident stubbornness and intransigence that ever confronted a group of homicidal maniacs. His final solo with the stapler is genius par excellence, as is the rest of the film. True, this is based on the viewer's taste because I admit I didn't really understand this crazy ride the first time. Like with the first film, it’s ideal to have watched a few films like beforehand. (02.12.2007)

A movie about a really great family movie featuring a clown and even Groucho Marx. It’s just crying out to be watched at home with your nearest and dearest. So you can then see which of the family gives up first, then who’s second... Because Rob Zombie proves that he is a regular madman. But talented. He filmed something on the fence between many genres. But this something is stylish, uncompromising, funny just at the right moments and the acting is great in the most important roles. The accompanying roles were more a question of “he says, dude, and I says to him, dude" so in some places it becomes wearing. Rob enjoys his directing immensely, not getting too worried about things like budget. It looks like the first comic book Preacher, but without the irony. The atmosphere is so stifling and dusty that it’s exactly like something from McCarthy’s “Border Trilogy". Even so, I was wondering throughout the movie if he was on the sheriff’s side, on the cast-outs’ or if he was disinterested. What I must applaud Zombie for is that he managed to leave me unsure. In any other movie you can see more perversion and infinitely more violence. But only on the almost forgotten Henry (and in one scene of Fincher’s Zodiac) has a movie murder been this “realistically" disturbing. A few errors can be found here and there, but they are absolutely made up for by the performances of the Haig, Moseley and Forsythe trio. They meet the most stringent standards. Not just in this genre. Which applies to The Devil's Rejects overall. P.S.: The comment about their performance applies only to the original language version. The Czech dubbing remained true to the title of the movie and is truly like this was rejected by the devil himself. (25.06.2008)