Drehbuch:
Michael ArndtKamera:
Tim SuhrstedtMusik:
Mychael DannaBesetzung:
Abigail Breslin, Steve Carell, Toni Collette, Greg Kinnear, Alan Arkin, Paul Dano, Beth Grant, Dean Norris, Wallace Langham, Geoff Meed, Mary Lynn Rajskub (mehr)Streaming (6)
Inhalte(1)
Eine Familie reist mit einem VW-Bus quer durch Amerika um die acht Jahre alte Tochter rechtzeitig zu einem Schönheitswettbewerb zu bringen. In der Theorie hat Richard Hoover das Leben im Griff, in der Praxis aber besteht Handlungsbedarf. Weder seinen Kunden noch seiner Familie kann er sein Erfolgskonzept verkaufen. Sein Vater fliegt aus dem Seniorenheim, sein Sohn verweigert sich schweigend der Welt. Seine Frau hat das Vertrauen in ihn verloren und sein Schwager fast sein Leben – nach einem Selbstmordversuch. Nur Olive, die Jüngste, wirkt gefestigt und scheint den väterlichen Optimismus verinnerlicht zu haben. Die niedliche, etwas pummelige Siebenjährige ist fasziniert von Schönheitsköniginnen und will unbedingt an der Wahl zur “Little Miss Sunshine” teilnehmen, in der alljährlich der junge Beautynachwuchs qualitätsüberprüft wird. Als Olive tatsächlich eingeladen wird, bricht die ganze Familie im VW-Bus nach Kalifornien auf. Auf der Reise liegen bald die Nerven blank und kleinen Krisen folgen große Katastrophen. Doch trotz aller Komplikationen wächst der chaotische Clan zusammen und beweist mit seinem kleinen Sonnenschein, wie echte Gewinner aussehen. (Verleiher-Text)
(mehr)Kritiken (9)
Ein gelungener bitterer Film mit vielen witzigen Momenten und raffiniert verwobenen Schicksalen aller Art. Nur bei der Farbenblindheit hatte ich den Eindruck, dass sie aus der ansonsten schön fließenden Geschichte einer "normal seltsamen“ Familie unnatürlich herausragt. Von den Schauspielerinnen und Schauspielern möchte ich am meisten den tollen Steve Carell und die kleine Abigail Breslin loben. Es waren aber alle gut.
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Once every few years it happens that an inconspicuous film unexpectedly hits a golden vein in the form of great audience interest and favourable critical response, but at the same time the buzz and the aura of "wonderful comedy" created around it far outweighs its real value. Recent examples include My Big Fat Greek Wedding and now Little Miss Sunshine, the most overrated comedy of recent years. A pleasantly tedious 97 minutes, with completely banal humour, a few blatant constructs (the somewhat belated discovery of colour blindness) and one of the most incomprehensible Oscar nominations for Alan Arkin as a cackling grandfather. An over-hyped affair that will certainly not become a classic in the future. The dance of the cute Abigail Breslin won’t save it.
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Funny, intelligent, pleasantly paced, well acted, and scored with a magnificent soundtrack. While being an indie, it is accessible to everyone. In addition, it has a large dose of gradually built up sympathy for the individual characters, so in the end you care about them and have a hard time saying goodbye to them... Everything is as it should be and, moreover, in above-standard quality. UPDATE: After Little Miss Sunshine, you will be left with such a great feeling of well-being for much longer than after seeing any other picture recently, and the second viewing has the same effect. That's why I'm adding another *.
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Definitely one of the most successful road movies of all time. There are few movie scenes that I can't and won't stop laughing at. One of them is the "stage one" from Little Miss Sunshine. Abigail Breslin is incredible! But other than that scene, there are unfortunately too many dry spots for the movie to make 100%.
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A similar "sensation" as, for example, Sideways. Meaning a slightly bitter in places, but mostly reliable comedy, where either love adventures or family troubles are dealt with. The filmmakers cannot be denied a flair for situational humour and solid dialogue, as well as well-drawn characters, mostly well acted. It’s nothing groundbreaking or revolutionary for the genre, but it delivers solid entertainment with one American redneck family.
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A very satisfying and original family drama with a charming humorous side and six well-written characters, whose disparity and forced coexistence is the dominant element of the narrative. The simple story doesn't stand out from other crazy road movies, but thanks to the imaginative direction and the excellent performances of all the cast, it delivers such an endearing and non-violent picture of life's little escapades that you just can't resist devouring it whole. Kinnear is already a household name and the role of the uptight father suited him perfectly, Carell surprised me again and confirmed his considerable acting talent, and the veteran Alan Arkin is simply flawless. They all work impressively well and, together with the smart script, they made an impressive film, unforgettable despite its naivety and absurdity... 80%
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A great mixture of comedy and drama about a very quirky family. The dad comes across as a real jerk, Peggy Bundy is an excellent cook compared to the mom, the grandpa is a heroin addict, the uncle a suicidal homosexual, and the kids follow their peculiar dreams. Against all odds, this near-dysfunctional family is brought together as they take chubby little Olive to a beauty pageant. I enjoyed the trip to California, Grandpa's awesome one-liners were the highlight of the car conversations, and even "mute" Dwayne was great. It was just becoming increasingly obvious what Olive's talent performance would be like. I found the beauty pageant itself a little baffling, suddenly there were all these little Terminators everywhere and I was surprised to find Olivia's performance the least creepy. Steve Carell played probably the most serious character in this film, and dmittedly, he was very good. I had a great time watching the film.
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This is the kind of classic inconspicuous film where interesting actors come together to play even more interesting roles. Mainly, Steve Carell fascinates me in such roles. It's fun, it's playful, sometimes it's quirky, occasionally hard to believe, but altogether it forms a great whole. And yet it's really "just" a road movie. It’s a beautiful example that something beautiful can have very diverse forms.
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A charming tragicomedy built on brilliant characters, an unconventional soundtrack, and some very emotional scenes. Basically, it's a kind of unassuming ode to life's losers, demonstrating in a very appealing way the contrast between the so-called "better or higher social class" and the "lower or worse social class". At the same time, it does not portray the "objectively weaker" as some kind of victims or inferior beings. Instead Little Miss Sunshine poignantly shows how, in such families so often faced with existential problems, there comes a certain point when its members become so much more capable of understanding each other and can stick together at the right moment. The final dance number is absolutely fabulous and captures in the truest sense what is called "the art of bringing down even the most deeply rooted conventions".
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