Tókjó zankoku keisacu
Regie:
Yoshihiro NishimuraKamera:
Shu G. MomoseMusik:
Kou NakagawaBesetzung:
Eihi Shiina, Shôko Nakahara, Itsuji Itao, Tak Sakaguchi, Maki Mizui, Keisuke Horibe, Kentaro Kishi, Shoichiro Masumoto, Tsugumi Nagasawa, Jiji Bû, 町田マリー (mehr)Streaming (1)
Inhalte(1)
Japan in einer nicht allzu fernen Zukunft: Um dem Verbrechen schlagkräftig Einhalt zu gebieten, wurde die Polizei privatisiert. Die “Tokyo Police Corporation” geht mit aller Härte gegen jede Form des Unrechts vor und kennt nahezu keine Grenzen bei der Pflichtausübung. Doch eine Bande von Superschurken, genannt “Die Ingenieure”, stellt die Polizei vor unlösbare Aufgaben. Mit Hilfe von Genmanipulation sind die Verbrecher in der Lage, sich durch Mutationen zu fast unbesieg- baren Kampfmaschinen hochzurüsten. Nur die junge Polizistin Ruka scheint dieser Bedrohung gewachsen zu sein. Doch sie hat nicht nur das Gesetz vor Augen, wenn sie auf ihre unbarm- herzige Mutantenjagd geht, denn der Anführer der Gen-Gangster hat ihren Vater auf dem Gewissen. Doch um Rache an ihm zu nehmen, muss sich Ruka erst durch ganze Gangster- horden metzeln. Ein Weg, den sie all zu gerne in Kauf nimmt. (Verleiher-Text)
(mehr)Kritiken (4)
It's very complicated to review this film. Story-wise, it's a complete mess without a clear beginning or end. However, on the other hand, there are such incredible ideas here that one sometimes has to admire them involuntarily. The Japanese are madmen, and I've come to terms with their madness. I can accept it and even enjoy it. Tokyo Gore Police has terrible special effects, but there's so much blood, so many masks, and a quite interesting idea of a police force that I simply have to admit that I like it. It’s a psychedelic experience that the viewer doesn't need drugs for.
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I don’t get it. I voluntarily admit that I really don’t understand how can anyone like this. It gave me a terrible headache. Aargh!
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At one end of the spectrum of violence in cinema we have sunday morning children shows and at the other ....... er, Tokyo Gore Police. I've seen films like Ichy The Killer and I've long held the opinion that many Japanese filmmakers are sick and twisted assholes addicted to soft porn, but this is just a schmaltzy bloody mess par excellence. The story is supposed to be some sort of social critique and a parody of expected narrative conventions, but nobody is interested in that at all and only unrestrained brutality and morbid exaggeration are brought to the fore. Although Nishimura rips off what he can, he does so out of pure love for the famous works of Verhoeven, Cronenberg and co, and what's more, sometimes he comes up with a really spicy and funny idea. Most of it, however, is just a pretty boring series of chopping, biting, shooting, cutting and tearing, and in the moments when the film wants to strike a more civil and serious note, it comes off as ridiculous as a guy shooting a mutant penis. There's no doubt that overall it's a retarded monstrosity with terrible dialogue and humour for the slightly mentally ill, but I can't give it less than 2* for the few great gore moments and the aggressive soundtrack. It wants to be guilty pleasure, and if the viewer can justify their own depravity while watching it, it's actually more fun than Rodriguez's Planet Terror. I had the special opportunity to see it in the cinema, I will never see so much red again.
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It's terribly stupid, technically flawed, perverted, over the top, sick, disgusting, cheesy, Japanese, but.... -)
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