Regie:
Wilson YipKamera:
Sing-Pui OMusik:
Kenji KawaiBesetzung:
Donnie Yen, Simon Yam, Lynn Hung, Hiroyuki Ikeuchi, Gordon Lam, Terry Fan, Dennis To, Yanneng Shi, You-Nam Wong, Tony Siu-Hung Leung, Carlson Cheng (mehr)Streaming (2)
Inhalte(1)
Im China der Vorkriegszeit ist Ip Man (Donnie Yen) der berühmteste Vertreter der Martial-Arts-Kampfkunst "WingTsun". Doch als die Japaner ins Land einmarschieren und seine Heimatstadt gewaltsam einnehmen, kann er nicht mehr für seine Familie sorgen und sieht sich gezwungen, im Bergwerk zu arbeiten. Als nach einem Kampfpartner gefragt wird - gegen einen Sack Reis im Falle des Siegs - meldet er sich. Auch ein alter Freund Ip Mans nimmt das Angebot an und stellt sich den Japanern in einem der brutalen Martial Arts-Kämpfe. Doch das fatale Duell endet für seinen Freund tödlich. Von Gerechtigkeit beflügelt versucht Ip Man nun, den japanischen Soldaten auf seine eigene Art und Weise gegenüberzutreten. Es kommt zu einem alles entscheidenden Duell zwischen ihm und General Miura. (Verleiher-Text)
(mehr)Kritiken (7)
One must be in a right mood for a kung fu ride. The Chinese make their movies a bit differently than what I’m used to. Their films could be compared to a Red Bull commercial in some respect, so I went into this film with some doubts. To my surprise, Ip Man is a completely natural and realistic film about the difficult situation of kung fu during the Sino-Japanese War. From a historical point of view, it was very nice to watch, and the fighting scenes were on the verge of genius. Although it is not emotionally all that tense, it was certainly interesting.
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A choreographic ode to movement (and pathos) in a kung fu bedtime story. Though I wouldn’t put it on for the kids, the wouldn’t be able to sleep afterwards.
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A solid martial art romp that I was expecting to be the pinnacle of the genre but it wasn't. Donnie Yen is a flawless and unbeatable dude who has no problems with anyone and is in perfect control of his art, but at times the wire was impossible to miss. There were some great scenes (Donnie vs 10 guys), but it lacked the roughness and brutality you can see in, for example, The Wrath of Vajra or me to give it 5*. 75%
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The fifth star is mainly for Ip’s inspirational personality. Otherwise kung-fu in combination with the Second World War has to be one of the freshest topics ever, so I really enjoyed the atmosphere. Fearless is definitely more spectacular, but even so. I seriously liked it.
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Conceptually and ideologically much more impressive than the action scenes. A tribute to Eastern culture, philosophy, values and martial arts. The story of a legend that could have done without the wild jumps and several metres of flying in front of the camera. But that is also part of the East.
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I don't particularly like kung-fu movies (or rather not at all), but Ip Man definitely deserves my great admiration and respect. Imaginative and brisk execution, great choreography and a very likeable protagonist who is good-natured and friendly at the core, but can really kick some ass. The depiction of the Japanese occupation adds a great deal of impact to the otherwise rather weak story, and the viewer is able to form a relationship with the characters despite the fact that they have quite strange dialogue and are not brimming with much emotion. The film will probably be more appreciated by Chinese audiences, for whom the characters' actions are a matter of national pride, but even the unbiased viewer is guaranteed to have a great time. Between four and five.
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Besides having a strong political undertone and revisiting events that were a significant historical blow to China, it is excellently combined with a kung fu film of the highest quality. When it comes to choreography, there are relatively few films from recent years that can boast similar scenes. Those punches really hurt in places. It's like the old-school Hong Kong style has made a comeback. A strong drama, albeit somewhat straightforward, but primarily an excellent action film with amazing fight scenes.
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