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James S. LevineBesetzung:
Lea Michele, Cory Monteith, Matthew Morrison, Chris Colfer, Naya Rivera, Jane Lynch, Kevin McHale, Amber Riley, Dianna Agron, Mark Salling, Darren Criss (mehr)Streaming (4)
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Der Glee Club, eine Mischung aus Schulchor und Musical-Truppe an der McKinley Highschool in Ohio, hat schon bessere Zeiten gesehen. Will Schuester, ein engagierter Spanisch-Lehrer und ehemaliger Glee Club-Star, hat sich das ehrgeizige Ziel gesetzt, den Glee Club zu altem Glanz zurückzuführen. Er hat genau ein Jahr Zeit, um aus einem traurigen Häufchen Außenseiter ein erfolgreiches Ensemble zu formen. Es gelingt ihm, Mitglieder aus dem Football-Team und bei den Cheerleadern abzuwerben, wodurch er sich den Zorn des Cheerleading-Coaches Sue Sylvester zuzieht. Fortan setzt sie alles daran, den Glee Club zu sabotieren. (ORF)
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Als ich mitten in den Sommerferien 2010 auf eine Serie mit dem seltsamen Namen GLEE stieß, ahnte ich nicht, dass mich diese zunächst fade Sendung so sehr beeinflussen würde. Ich weiß, dass es einige Einwände gegeben hat: "Ich meine, es ist ein High School Musical in einem anderen Gewand, aber immer noch mit einer dicken Schicht Zuckerwatte!", aber ich persönlich denke, dass diese Aussage und viele andere auf ihre Weise zutreffend sind - Glee ist wirklich so ein süßer musikalischer Zuckerguss auf einem riesigen Kuchen, umgeben von Zuckerwatte und Schichten von Naivität. ABER: Im Gegensatz zu HSM ist Glee viele Klassen höher angesiedelt. Glee ist eigentlich eine sehr idealisierte Sicht auf eine High School, in der der Schulchor, der aus vielen Minderheiten besteht, wiederbelebt wird. Man kann nicht alles für bare Münze nehmen, aber mit einer gewissen Distanz und Perspektive und mit einer rosaroten Brille. Es ist auf jeden Fall ein "Märchen", das nicht jedermanns Geschmack ist, was ich durchaus verstehe. Die erste Staffel war absolut erstaunlich und einige der Episoden waren wirklich atemberaubend. Die zweite Staffel hatte leider nur wenige dieser atemberaubenden Folgen. Das Problem ist, dass aus einer bescheidenen Serie eine kommerzielle Serie mit einem moralisierenden Unterton geworden ist, der oft verpufft ist. Und es tut mir wirklich leid, dass ich die Bewertung nach der vierten Staffel um zwei Sterne senken muss, denn diese Serie hat mich enttäuscht. Viele Charaktere (manchmal fast alle) fingen an, mich ziemlich zu nerven, die Handlung entwickelte sich kaum, die Songs waren nicht mehr so eingängig und sympathisch wie in den ersten Staffeln. Kurzum, eine Serie, die für mich von der Spitze in den grauen Durchschnitt gefallen ist, aus dem sie wahrscheinlich nicht mehr herauskommen wird.
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Im Nachhinein scheint es fast unglaublich, wie oft ich zu verschiedenen Musikstücken aus Glee zurückkehre. Es ist eben doch eine kleine Geschichte der modernen Musik in einem Abriss. Man kann sowohl am klassischen Musical und an der Generationenmusik der letzten Jahrzehnte schnuppern. Die Jugendlichen sind sehr talentiert, einige der Gäste sind wirklich großartig. Und schließlich ist es Ryan Murphy. Gegen Ende war zwar alles ziemlich kaputt, denn die Highschool kann nicht ewig dauern, aber viele dieser Gesichter, vor allem aus den letzten paar Staffeln, sind heute im Arrowverse zu sehen. Von den erwachsenen Darstellern sind auf jeden Fall Gina Jessalyn Gilsig, Kristin Chenoweth und vor allem Gwyneth Paltrow zu erwähnen. Von den Kindern natürlich Chris Colfer (Victor/Victoria) und Melissa Benoist ("Holding Out For A Hero"). Erst in der 4. Staffel kam "Don't Speak" dazu, aber ich habe das berühmte "Tell Him" aus Ally McBeal gesehen.
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Season 1 – 100% – Young, vulnerable, uncertain, and yet absolutely amazing. When their teacher gives them energy, they can move mountains, but when their nemesis Sue Sylvester undermines them again, most of them break down. And yet, they can behave like the most incredible group of teenagers that I can recall from any series. The persistent desire to make every beautiful moment unforgettable at any cost is simply part of growing up, and Ryan Murphy has captured this aspect perfectly. But what makes Glee legendary after the first season is the composition and execution of the musical numbers. Everyone will find something they enjoy, whether they are fans of pop, rock, R'n'B, and I will even listen to it all on repeat ten times in a row. The surprise of the year in the first season was not unexpected, as I had a similar expectation from the pilot. The challenge now is to keep this fragile perfection at its peak. Season 2 – 85% – The creators were kind of asking for trouble, but they lucked out. Despite all the criticisms, they still have a hand on addictive songs and a fantastically talented cast. The main thing that places the second season qualitatively behind the first is the absence of a continuous storyline. Those pregnancy issues that seemed a bit unnecessary a year ago actually gave the series surprising complexity. Although the new season has conflicts between Kurt and Karofsky and of course, the preparations for competitions and disputes with Sue, the rest is made up of rather episodic or short-term storylines. What works is Will's intention to make the New Directions better people in moments when he "teaches" them about alcohol, sex, or their own flaws. And finally, the biggest problem for most viewers: relationships. I'm not saying that this oversized circle is flawless, but I still believe in it. Sometimes the pairing works (Quinn + anyone), sometimes it doesn't (Puck + Lauren). And the biggest surprise of the season? Santana. The annoying bitch from the first season is gone, and an believable personality with emotional development comes, making her perhaps the best character of the second season. Now there's nothing left to do but play the last song from the finale. Maybe it wasn't a flawless season, but if I'm thinking about it all the time and singing Glee songs every day, so what? Season 3 – 90% – Grown-up. Relationships have stopped being crazy whirlwinds, and I don't have to fear that couples will fall apart after a few episodes. The soundtrack also maintains a pleasant diversity. Whether I hear covers from Coldplay, Michael Jackson, or performances from West Side Story, I don't want to say goodbye to this group. Ironically, it leaves just as it finally found its face. Sometimes it jokes, sometimes it educates, and sometimes it just experiments. The only big misstep this time was the active promotion of the newcomer Wade, which was a bit forced at times. But I still watch all the choices, worries about the future, and family insecurities with enthusiasm. I just don't know what to expect after the surprisingly sober happy ending. Change may benefit Glee, but I'm scared that only the less interesting characters will remain at McKinley High. Season 4 – 65% – The disappointment is all that much greater since the new era at the beginning calmed me down and tried to convince me that even the fourth time around, the high school singing performances (this time with the desired city flavor) would captivate me. For a while, it really aimed high, and The Break-Up is quite possibly my favorite episode ever, but over time the level of the subplots has dropped so much that I sometimes didn't recognize my favorite show. The new characters have a problem holding attention once they've been developed, key relationships often feel perfunctory, and even the final episode struggles to evoke any emotion, leaving an unpleasant discomfort at the very end. At least Darren Criss has clearly become the new star now that Rachel is conquering New York. Season 5 – 80% – People plan, but fates change. Even before the start of the fifth season, a blow came that permanently changed the series, and came close to prematurely ending it. Cory Monteith died, and with him, Finn Hudson left. We got a touching episode called Quarterback, Will lost his successor, and Rachel (and in a heart-wrenching parallel, Lea Michele herself) lost her true love. And Ryan Murphy gave up his dream ending, delivering several scenes that were originally supposed to end the series and spicing up the whole twenty-episode journey with new developments that we enjoyed more than last year. It contained unforgettable episodes (in addition to the aforementioned bit of piety, Frenemies and Opening Night stood out the most), an unbeatable leading trio of Rachel-Kurt-Blaine, several scenes longed for by fans in connection with the 100th episode, and (for the umpteenth time and strongly again) an atmosphere of fulfilled dreams. However, what didn't work was the traditional flaw of sweeping storylines under the rug. Just to name a few, we didn't get satisfactory conclusions or explanations for relationship storylines (Artie-Kitty, Santana-Dani, Sam-Penny), and the magnificently built-up band building that led practically nowhere, which hurts twice given the participation of Demi Lovato and Adam Lambert. The 80% rating is heartfelt in its own way. Despite many reservations, I simply can't wait for a new episode every week and can enjoy this group over and over again. And that means something. Season 6 – 100% – Going back to the roots is not easy, and picking up where it restarted many times before is a task that is almost impossible, or at least superhuman. But Murphy, Brad Falchuk, and company have shown themselves to be superhumans, and with the help of beloved old faces, the Glee Club is at its best in years. I have never been so uncritically enthusiastic, singing, moved, and amused since the very beginning in a high school in Ohio. And while the newcomers are shaping up in various ways, the two-parter Hurt Locker shows that the boundaries of absurdity can still be pushed further, and in the finale, almost everyone you would like to see again manages to return, I give up. There have been enough twists and turns, missteps and mistakes over six years. But I probably don't even care now, because to get to the top and return there at the very end after so many vicissitudes is the art of kings. And Rachel, Will, Kurt, Blaine, and everyone else is exactly that. I'm not afraid of moving on and letting go. It's just so hard to say goodbye to what I know.
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The strongest aspect of Glee is, of course, the musical one. The notoriously familiar songs, often better performed than the original. Add to that the colorful atmosphere and the crazy ensemble, which I just love. Story-wise, I rate the second season as better than the first. Favorite characters: Rachel, Puck, and in season 2, Santana.
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Rating after half of the first season. I’ve been watching an episode or two here and there, but there’s no chance I’ll become addicted. It’s a cute, nice show with naive twists and fine musical numbers – though there could, and should be more of them (two dances in 45 minutes is really not enough). One very good thing is that, even though most of the characters fit into negative categories (weakling, arrogant, gossip), I was still able to establish a positive bond with them. I will surely watch the rest of the first season. Finished the first season: it’s alright, it didn’t make me suffer much, thanks to the nice and sharply sarcastic Sue, but I won’t bother with the second season.
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