Regie:
Patrick LussierKamera:
Brian PearsonMusik:
Michael WandmacherBesetzung:
Nicolas Cage, Amber Heard, William Fichtner, Charlotte Ross, Billy Burke, David Morse, Tom Atkins, Pruitt Taylor Vince, Katy Mixon, Todd Farmer (mehr)Streaming (4)
Inhalte(1)
John Milton kehrt aus der Hölle zurück, um das Kind seiner ermordeten Tochter aus den Fängen eines Satanskults zu befreien. John Milton ist zwar tot, doch er kann der Hölle entkommen und macht sich auf die Suche nach seiner Enkelin, denn der Satanist Jonah King und dessen Sekte wollen das Baby in drei Tagen opfern und so die Tür zu einer neuen Weltordnung aufstoßen. Der irrsinnige Apokalyptiker hat bereits Miltons Tochter auf dem Gewissen. Gemeinsam mit der Kellnerin Piper macht sich Milton in seinem Dodge Charger auf die gefährliche Suche. Dabei wird er von dem "Buchhalter", der rechten Hand Luzifers, verfolgt. Auf der Jagd nach King hinterlässt der kompromisslose Milton quer durch die USA eine Spur der Verwüstung... (RTL)
(mehr)Kritiken (8)
Drei Sterne sind zu viel. Zwei würden aber so aussehen, als ob ich nicht den Abstand verstanden hätte, welcher die Schlüsselwaffe dieses unterhaltsamen Machwerkes ist. Cage liebte von klein auf die Vorlage von Ghost Rider. Wenn er nur in ähnlichen Filmen spielen würde, hätte er keine Sorgen. Er nimmt sich und seine Filmografie nicht ernst. Und er genießt es. Drive Angry ist ein Mega-Quatsch, der genau derselbe Mega-Quatsch wäre, wenn die Regie jemand führen würde, der talentierter als Patrick Lussier ist (z. B. Rodriguez im Rahmen von Grindhouse). Es ist ein Ausrutscher, der an Harte Ziele, Constantine, Leaving Las Vegas - Liebe bis in den Tod und Kinder des Zorns 6 - Isaacs Rückkehr in einer Popcorntüte erinnert. Ein billiger und "cheesy“ Ausrutscher, der aber treffend eine Menge an Genre-Klischees parodiert, mit coolen Sprüchen und dem ausgezeichneten Fichtner. In welchem so schlimmen Film findet man so viele memorable Momente? Guilty Pleasure.
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Nicolas Cage muss wirklich in finanziellen Schwierigkeiten gewesen sein. Anders kann ich mir nämlich nicht erklären, warum er Rollen in B-Filmen annimmt, und bei diesem Streifen würde ich sogar von einem C-Film sprechen. Die Geschichte ist sehr stupide, so ein mystisch-satanischer Action-Pfusch. Die erste halbe Stunde war noch halbwegs erträglich, auch wegen des hervorragenden Seriendarstellers Fichtner, dann aber ging der gesamte Film nur noch in die Binsen. Cage, komm zu dir!
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To tell you the truth, I had a lot more fun that it could be considered appropriate. It’s not very often that we see a film that never makes it clear whether it should be taken seriously as whole, in part or not at all. I have the impression that Lussier told something different to each of the actors. Nicholas Cage acts comically but very seriously, Amber Head acts comically but dramatically, and William Fichtner is simply enjoying himself and is the only one who’s really cool. I don’t know if the film works the way its creators wanted, but regardless, I will judge it only based on the result, which was a pleasant surprise. The shootout in the motel and Fichtner in a CGI tank are so WTF that it’s impossible not to laugh. I’m not that far from a fourth star.
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The angry grandpa Nicolas Cage is decent, the blonde woman of action Amber Heard is too, and Fichtner's accountant deserves a monument. It becomes a tragedy when it's not the actors who carry the film, but the director, which is quite a mess given the fact that it was made primarily for 3D. This is because this whole ride comes down to terrible special effects, not much action, or even anything resembling a plot development. Audiences thus have a hard time dealing with all the boring parts. I went into it with no expectations, but after finishing it I find myself crying over the wasted potential. On paper (and with this cast) it was definitely there. Or have even solid B-movie directors died out in Hollywood?
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I've been getting quite tired of Nicolas Cage lately – he was a cold-hearted badass again. As to the movie... there was a lot of blood, again. I liked the beautiful cars though, and the truly gorgeous Amber Heard. Fichtner didn't disappoint... but yeah, nice... just not for Cage.
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If you acknowledge something as garbage it does not mean that it ceases to be garbage. I have never been able to appreciate this type of B-movie spectacle, except for very rare, atypical exceptions. Maybe it's because I demand a certain internal logic from a film and such mishmash usually resigns from logic with its screenplay. Drive Angry differs from the garbage that takes itself too seriously with a certain insight that it has, which is manifested via the overacting of the already below-average actors and its emphasis on B-movie clichés. But it's not clever and for example, Nicolas Cage's tragic expression differs minimally from his seriously intended creations. It doesn't have a good point in it and the interest that the director initially aroused in me was extinguished after less than fifteen minutes. Overall impression: 25%.
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It was Sunday night. I pulled a beer out of the fridge and decided to give the latest movie with my favorite Amber Heard a chance. It was supposed to be a B-movie thriller, where the recently unpredictable Nicolas Cage stole the lead role of a vengeful, murderous lunatic for himself. The air was thick with snappy lines, limbs and auto parts. Just watching Amber was great. Even William Fichtner smiled at me now and then and I began to feel quite satisfied. I don't remember much about the plot, but I know that earlier I was afraid it was going to be worse. It wasn’t.
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The worst B movie crap of the year, with an incredibly rough and absolutely unbelievable Nicolas Cage (where are those Con Air times), terribly cheap and bad visual effects, poor editing, and an incomprehensible plot. The film is essentially about shit. I give one point for William Fichtner's solid acting, who really gives his all, and for the charmingly expressive Amber Heard, she outshines her much more famous partner, who has been struggling a lot in recent times.
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