Inhalte(1)

Seit mehr als einem Jahrzehnt befinden sich Andy (Zac Efron) und Vicky (Sydney Lemmon) auf der Flucht: Verzweifelt versuchen sie, ihre Tochter Charlie (Ryan Kiera Armstrong) vor einer geheimnisvollen Regierungsbehörde zu verstecken, die ihre einzigartige Fähigkeit, Feuer zu entfachen, als Massenvernichtungswaffe einsetzen will. Andy hat seiner Tochter beigebracht, ihre durch Wut oder Schmerz ausgelöste Fähigkeit zu kontrollieren. Doch für die nun elfjährige Charlie wird es immer schwieriger, das Feuer zu bändigen. Als durch einen Zwischenfall der Aufenthaltsort ihrer Familie offenbart wird, nimmt ein mysteriöser Agent (Michael Greyeyes) die Verfolgung auf, um Charlie ein für alle Mal in die Gewalt der obskuren Organisation zu bringen. (Universal Pictures AT)

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Kritiken (3)

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J*A*S*M 

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Englisch The only bright spot is the music, co-written by John Cerpenter, it’s a really good, proper horror soundtrack. Otherwise, the film is completely devoid of sparkle – pun not intended. The screenplay in particular feels like a lot is missing. ()

D.Moore 

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Englisch An attempt at a Carpenter horror film, but the most Carpenter things about it are the music (which John Carpenter actually composed in part) and the list of carpenters in the end credits (which is kind of my attempt at a joke). The source material is one of those King books I read some twenty years ago and remember only the basic plot, but even so it is clear to me that the filmmakers misunderstood it and turned it into a bland, almost second-rate made-for-TV movie with uninteresting characters, which was not saved even by the cast led by the horribly miscast Zac Efron. The more seriously the film takes itself, the more ridiculous it gets. I'm sorry, but this is one of the worst King adaptations I've seen so far. ()

TheEvilTwin 

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Englisch Here we all kind of expected it to be bad, and it really is bad. The source material is grasped by an inexperienced director and the result is a terribly uninteresting B-movie that is not even helped by Zac Efron, on the contrary, he doesn't fit here at all. The 90-minute running time is also a blemish, as it is so extremely abridged and edited down to the bare essentials that it makes all the dialogue feel terribly artificial, lacking coherence and leaving us to dream of any emotion or experience with the characters. There is no gore, there is little action, there is more talk than action, and the abilities are not only drastically underused, but often make little sense and go by the rules as it suits the creators. Thank goodness for the online webrip and the spared cinema visit, because I probably would have suffered through that one. And if someone complains at a "short" 90-minute flick, that probably says a lot about the film's entertainment value in itself... ()