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Ole BornedalDrehbuch:
Ole BornedalKamera:
Dan LaustsenMusik:
Marco BeltramiBesetzung:
Pilou Asbæk, Sarah-Sofie Boussnina, Marie Tourell Søderberg, Jakob Oftebro, Nicolas Bro, Søren Pilmark, Eva Podzimková, Esben Dalgaard, Søren Malling (mehr)Streaming (1)
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Die Serie erzählt eine Geschichte von Liebe, Leidenschaft und Gewalt vor dem Hintergrund des Krieges Dänemarks gegen Preußen und Österreich. Dieser erste der drei deutschen Einigungskriege kulminierte in der Entscheidungsschlacht an den Düppeler Schanzen, in der große Teile der dänischen Armee den Tod fanden und die Autonomie des Königreichs Dänemark beinahe verloren ging. (arte)
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A great and intriguing miniseries, which opens in 1851 and closes in 1864 following a peculiar love story against the backdrop of the Second Schleswig War. The historical storyline is complemented by the contemporary one. The two parts of the story fit quite well together, clearly showing how too much nationalist fervor can make a small nation dangerous not only to others but especially to itself. I was satisfied with the whole series, I was far from bored. The only thing that disappointed me was the sloppy ending.
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1864 is a project that I approached with confidence. Danish television production rightly has a good reputation, churning out one international success after another, and in addition, considering the size of the country, it is capable of carrying out ambitious large-scale productions. The subject offered a journey into understanding historical events, the significance of which had so far escaped me. I like similar topics, as history has been my hobby since high school. The series is well-cast and full of familiar faces and it has an appropriate set design - so why only two stars? It is because I feel that something is wrong with the scriptwriting. At the end of the first two episodes, I found myself staring at the screen with a blank look and unable to remember what had just happened. Yet, the series offers many powerful themes. It is the story of a confident country that fell victim to self-delusion of exceptionalism and nationalist fervor, and in the end, it cost them dearly. However, if you can't connect with the characters in the series, if you can't appreciate the effort of the script to connect events from the second half of the 19th century with the present, and if you prefer fantasy elements, then you will simply not get into the series. In the end, I only appreciated the well-directed war scenes. There were quite a few of them, including truly massive ones, but the journey to get there was long and exhausting. Overall impression: 45%.
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Photo © Arte
![1864 - Liebe und Verrat in Zeiten des Krieges - Filmfotos](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/160/876/160876684_b4926f.jpg)
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