Regie:
Yoshiaki KawajiriDrehbuch:
Brian IrvingKamera:
Hitoshi YamaguchiBesetzung:
Hideyuki Tanaka, Ichirō Nagai, Kōichi Yamadera, Megumi Hayashibara, Toshihiko Seki, Takeshi Aono, Unshō Ishizuka, Keiji Fujiwara, Akiko Yajima, 前田美波里 (mehr)Streaming (2)
Inhalte(1)
Auf den Kopf des letzten aktiven Blutsaugers ist eine hohe Belohnung ausgesetzt, nachdem er die Tochter einer wohlhabenden Familie entführt hat. Ein mysteriöser Kopfgeldjäger, der halb Mensch, halb Vampir ist, sowie ein bis an die Zähne bewaffnetes Vampirjäger-Team nehmen die Verfolgung auf – und werden, von einer dunklen Macht geleitet, in eine tödliche Falle gelockt. (Silverline Movie Channel)
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Die japanische Anime-Version von Stokers Originalgeschichte, die mehrere Motive und Handlungselemente miteinander vermischt, hat mich vor allem durch ihre Vampirthematik und ihre wirklich spektakuläre audiovisuelle Aufbereitung überzeugt, die Bewunderung verdient. Es kam mir vor wie eine Mischung aus dem bereits erwähnten Dracula (die wichtigsten Themen: die Beziehung zwischen Vampir und Mensch + ein Van Helsing ähnelnder Protagonist) und postapokalyptischer Science-Fiction (einige Ähnlichkeiten zu Mad Max kommen mir in den Sinn: das gelegentliche Auftauchen der Landschaft + die Jagd zwischen Jägern und "Monstern"). Ich muss den Einfallsreichtum der Macher würdigen, die ein wunderschönes Spektakel auf die Leinwand gebracht haben, und ich darf die angenehme und unvergessliche musikalische Begleitung nicht vergessen. Kurzum, ein solide gemachter und unkonventioneller Animationsfilm aus japanischer Produktion, der mich zwar nicht so sehr begeistert hat wie etwa Chihiros Reise ins Zauberland oder Das wandelnde Schloss, aber dennoch ein sehr guter Film ist.
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For those who have not yet had the pleasure of "Dunpeal", take the best from Blade, Van Helsing, Dracula, and The Brothers Grimm, throw it into animated format, and amplify it to the second power. Then, maybe, you will get a rough idea of what this animated gem offers. Expressing the deepest feelings in moments of life-threatening danger has never been so sincere.
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A breathtaking visual spectacle, with room for a very impressive plot that looks at vampires from a rather unconventional point of view. The vision of the distant future is combined with the subtly decadent "snobs" that vampires have been for most of their cinematic life, and the resulting combination is so original in terms of art and story that the resulting contrast is more than digestible and acceptable to both fans of modern "Blade techno-style" and proponents of the more classic Dracula alike. The psychological backdrop is also very solidly sketched and D, the protagonist, is a creature (the combination of human and vampire is hard to pin down) that we feel for. We pity his fate while rooting for him in the delightfully arranged action scenes, or simply feeling a certain amount of relief brought on by his left palm, on which a chatty "face" parasitizes. Vampire Hunter D is flawless filmmaking in all aspects and I can't fault it at all. Perhaps only the typical flashing color "whirlwind" that more or less every anime ends was never my thing, but even in this case I'm willing to forgive it.
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When you immerse yourself in the comic series about Sandman, created by Neil Gaiman, you gradually discover a fascinating world of artificially created myths. These myths often draw on familiar legends, folklore, and religious concepts, but together they form a unique, original, and intellectually profound alternative world that tempts you to explore further. In contrast, Vampire Hunter represents several stereotypical motifs used in the fantasy genres, woven into an effective but shallow mixture. The traditional artistic approach typical of manga and anime never appealed to me personally, but at least it had style. Here, the style was replaced by the search for inspiration in foreign models, as if Kawajiri already anticipated creating a "universal" film product similar to a hamburger. Judging by the reactions on FilmBooster, he succeeded in doing so. However, I was not drawn to this strange mishmash of genres with an unoriginal plot set in a dysfunctional world. Overall impression: 20% for the artwork. In some places - yes, I am referring primarily to the scene of the spaceship taking off - the film no longer flirts with kitsch, but rather represents its embodiment.
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That Asian films are overrated here is something I’ve known for a long time. That animated films also get excessive ratings is no surprise, either. What did unpleasantly surprise me, though, was the effect of both these forces combined. It was the worst 103 minutes I’ve experienced with “red horror”. The two stars are only because I’ve suppressed my purely subjective opinion about the film.
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Galerie (14)
Photo © Manga Films
![Vampire Hunter D - Filmfotos](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/000/082/82713_e61bb9.jpg)
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