Drehbuch:
黒岩勉Besetzung:
Ayame Gôriki, Hiro Mizushima, Ken Kaito, 岸谷五朗, Masayuki Ibu, 城田優, 栗原類, 山本美月, Ken Yasuda, 優香, Tomomi Maruyama, 大野拓朗, Emiri Kai, Yoshihiro Nozoe, 橋本さとし (mehr)Streaming (4)
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Im Jahr 2020 ist die Welt in die westlichen und östlichen Nationen gespalten. Während die westliche Welt durch die skrupellose Königin regiert wird, versucht die junge Shiori das Erbe ihrer vor 10 Jahren ermordeten Eltern anzutreten. Als Waise der aristokratischen Familie, muss sie sich als Mann ausgeben um an die Macht zurück zu können. Auf ihrem Rachefeldzug gegen die Mörder ihrer Eltern bekommt sie Unterstützung von dem Dämon Sebastien Michaels, dem BLACK BUTLER. Nur er kennt ihr Geheimnis. Doch seine Hilfe ist nicht umsonst. Als Preis musste sie ihm ihre Seele verkaufen. (Tiberius Film)
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Wow! This was a very big movie experience for me. I have to say that after watching such a modern film, I now feel developmentally superior. I have never seen such an elegant, stylish, classy, modern, expensive and lavish movie in my life! The visuals here surpass perhaps everything I have seen so far, with really beautiful colors, perfect masks, make up, costumes, exteriors, interiors, every character here has such incredible charisma!!! It's a shame that there are only three big action sequences, but they are so perfectly shot that your throat will be dry when they are over. But this film isn’t just eye-candy, because the story is also perfectly thought out and decently paced. I recommend it to everyone, a must for all film enthusiasts!! A revolution! PS: 85%
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I approached this without clinging to the source material or the anime, and I did just fine because I at least enjoyed it that way. Of course, there were certain details that someone who knows the source material is more likely to enjoy (like Sebastian as a cat lover, or Tanaka – it really was exactly him in the movie). The running time isn’t too long, so the film moves along at a nice pace, and is also bolstered by a very decent OST. The acting was very decent, but Mizushima Hiro shone above all, returning to the silver screen after four long years. For me, one of those above average "live action" film versions. I enjoyed it, I wasn't bored, and I even laughed.
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Thanks to two viewings, both series of the great anime are still vivid in my memory, and yet it remains a question as to whether that's a good thing. In my opinion, it is, because a knowledgeable viewer can enjoy plenty of direct quotes and references, very faithful supporting characters, and the unmistakable atmosphere of the family manor. However, the shift to the present is fatally jarring, which I spent the first half adapting to, along with the related nature of the central case, which contains perhaps too many modern conveniences. All the more credit goes to Hiro Mizushima, who skillfully tackled the most thankless role with a star. Portraying the eternally calm Sebastian in the live-action adaptation is solid hell, given the fans' expectations, and his minimal gestures and smile in his eyes brought forth the true and genuine servant for everything. For individuals positively tuned into the Kuroshitsuji wave, it is clearly a must, and for viewers unaffected by demonic servants, it is a promising experience.
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