Regie:
Michael DoughertyKamera:
Jules O'LoughlinMusik:
Douglas PipesBesetzung:
Adam Scott, Toni Collette, Allison Tolman, David Koechner, Conchata Ferrell, Emjay Anthony, Stefania LaVie Owen, Gareth Ruck, Leith Towers (mehr)Streaming (5)
Inhalte(1)
Alle freuen sich auf Weihnachten - bis auf Max, der die ständigen Familienstreitereien während der Feiertage kaum ertragen kann. Frustriert zerreißt er seinen Brief an den Weihnachtsmann, nicht ahnend, dass er damit einen bösen Weihnachtsdämon auf den Plan ruft, der die Familie in Angst und Schrecken versetzt. (Puls4)
Kritiken (10)
The Czech devil has an exceptional position on a global scale. He is more of a confused companion for gamblers, or an executor of justice where secular justice is a mockery of morality. Krampus is a different sort. At first glance, fear emanates from him and he exudes the threat of brutal violence and mystical cruelty. The movie, which entices with the use of the name "Krampus," announces that it will be a form of entertainment for a specifically horror-oriented audience. But actions speak louder than words and this is also reflected in the quite mixed reviews. Let's be honest, how many horror comedies have you seen that weren't crippled in one way or another, or had both legs amputated? No matter what Dougherty does, he is unable to generate scares, at least not in a way that today's hardened fans of horror would fear. It's a bit better when it comes to the humor. Dougherty has learned a lot from Terry Gilliam and his devilish gingerbread cookies are successful, he has a sense of irony and occasionally comes up with a decent joke. He also relies on a likable cast of actors, led by the talented Toni Collette. Unfortunately, he is not creative enough to develop his ideas into a truly functional and visually appealing form. He relies on frantic, chaotic editing, and annoyingly stereotyped characters within the family, and he is not daring enough to turn family values upside down and mock Christmas. When I remember how Ari Aster utilized Toni Collette in Hereditary, I have the feeling that Dougherty is wasting the acting potential of his ensemble, as well as the atmosphere and ideas. The film is unfinished and rarely truly atmospheric. My review ranges between 2 and 3 stars, and considering the weak reviews he received from horror fans, this time I will support Dougherty and give the film a weak three-star rating. Overall impression: 50%.
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Doughertys Obsession mit Feiertagshorrors wird mit offenen Armen begrüßt. Wenn er bereits mit seinem Halloween-Debüt starkes Aufsehen erregte, bestätigt er mit dem Weihnachts-Krampus, dass ihm die scharfen Übergänge zwischen Humor, Spannung und Action wie kaum einem anderen stehen. In einem Moment genießt man das Chaos einer streitsüchtigen, sich gegenseitig hassenden Familie, halb verkrampft beim ersten Zusammentreffen mit der zentralen gehörnten Kreatur, nur um dann die Angriffe tödlicher Spielzeuge zu bejubeln. Dazu kommen zweifelhaft aussehende Schneemänner, maskierte Elfen oder hungrige Lebkuchenmänner, und es sollte Ihnen klar sein: Dies wird neben Kevin und Aschenbrödel (oder fügt ein anderes Märchen ein) ein weiterer Weihnachtsklassiker werden. Ich behaupte nicht, dass es vollkommen perfekt ist, aber das Kino hat dabei sehr geholfen - zum Beispiel hat der Ton mir fast die Eier zerquetscht. Und wer das Bedürfnis verspürt, Fehler zu finden, kann zum Teufel gehen. (90%)
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Wenn Krampus noch ein bisschen mehr Komödienelemente hätte, würde er mir besser gefallen (egal, ob schwarzer Humor wie bei dem Geplänkel auf dem Boden oder Humor im Stil von Griswolds Schöne Bescherung). Auch so ist es aber meiner Meinung nach eine sehr angenehme Überraschung. Der Film ist unterhaltsam und spannend. Auf die lästigen ernsten Minuten, in denen Familienwerte propagiert werden, konnte er aber verzichten. Die größte Freude hat mir die Trickarbeit bereitet – außer den blutdürstigen Lebkuchen arbeitet man hier nicht mit digitalen Zaubertricks, sondern mit guten alten Puppen und Animatronik. Und alles sieht ausgezeichnet aus!
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Gleich nach dem Anschauen des Trailers weckte Krampus große Erwartungen in mir, aber wir alle wissen, dass Trailer sehr effektvoll sind, so dass man ins Kino gehen muss, um sich von den Qualitäten des Films zu überzeugen. Ich muss sagen, dass ich einen sehr guten Weihnachtsfilm mit einer unvergesslichen Atmosphäre bekommen habe, der am Ende nicht einmal die durch den Trailer geweckten Erwartungen erfüllt hat, aber das hat überhaupt nicht geschadet. Krampus ist definitiv kein typischer Gruselfilm mit viel Grusel, Gespenstern und Blut. Es ist eher eine schwarze Komödie, die den Zuschauer mit dem Gefühl zurücklässt, dass Weihnachten alles andere als ein "Fest des Friedens und der Ruhe" sein kann, wie alle Figuren des Films auf die harte Tour erfahren. Ich war fasziniert von den Masken und der Darstellung aller Monster, einschließlich des furchterregenden Infernos, und außerdem muss ich die phantasievolle Einfügung einer animierten Minigeschichte hervorheben, die die Geschichte des Krampus beleuchtet. Als Germanist habe ich mich auch über die deutsche (oder österreichische, wer weiß) Tussi gefreut, die neben der temperamentvollen Tante mein Liebling unter den Figuren war. Kurzum, eine solide gemachte Weihnachts-Horror-Komödie, die mir dank der oben genannten Stärken und nicht zuletzt dank des völlig unerwarteten Endes, das bei mir ein eher unangenehmes Gefühl hinterließ, noch lange im Gedächtnis bleiben wird - was der Verlust von Glaube und Hoffnung (hier in einem fantastischen und grausamen Ausmaß) tatsächlich anrichten kann.
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Krampus isn’t what I was dreaming of when the project was announced, but even the way it is, it’s not able to reach to the TOP. Which doesn’t mean that it is a bad movie. This time, Dougherty has done with Christmas the same he did a couple of years ago with Halloween, a nice and atmospheric horror comedy, where the humour, as well as the fear and the tension are effective in each of the sequences. But it’s just not completely outstanding in any way. If it’d stayed only with Krampus and his elves, it would have been better, IMHO. The living gifts are more or less cool, but the bloody living gingerbread men are already too much. And I was also surprised with how fast everything ends. In a only couple of minutes about half the characters are reduced in uninteresting ways, to the point that I felt as if the creators already wanted to get rid of them, but didn’t feel like writing another twenty minutes of script. 70% and I would love to see a gritty German Alpine prequel.
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I’d been looking forward to Krampus. The users here turned it into a legendary movie, which in the future will be an inseparable part of Christmas; they kept putting it into the same rank as Home Alone. By the way, the only thing this movie has in common with Home Alone is a couple of melodies in the score. Other than that, it’s worlds apart. You see Krampus alternates between a fairy-tale atmosphere and a regular horror movie in the vein of Nightmare on Elm Street. Nevertheless, I do admit that the film had a couple of really interesting moments. For instance, the opening scene in the mall, which is totally awesome or the cartoon part, which tells the story of the grandma, who had met Krampus when she was little. By the way, it looked almost as if it was made by Tim Burton himself. The rest is a classical slasher movie, where you’re actually not sure whether it’s a comedy (the constantly drunk grandma and her catchphrases, or the three gingerbread guys who are alive) or a horror movie (Krampus, who isn’t actually seen much in this one, and his elven minions).
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A future Christmas classic, but one that is so audience-friendly that it will play at 7pm after Home Alone. Krampus is lively and has a likeable and entertaining cast, especially the boorish David Koechner who steals up all the jokes for himself and gets away with it. The atmosphere is properly Christmassy, and quite dense by the end, and the varied selection of villains is surprising, the great imagination of the people behind this movie cannot be denied, even if they are largely Christmas candy and toys, and Krampus himself, who is more like a wrinkly grandfather, is a nevertheless a successful and original creation. The film is more of a comedy and fairytale than horror, the characters do die quite often, but due to the rating we don't get to see gore and the scares are actually absent as well, they scares don't really work out too well, but it's a nice oldschool fun film to watch with honest practical effects. Home Alone crossed with Gremlins! Story 5/10, Atmosphere 7/10, Gore 0/10, Visuals 7/10, Action 5/10, Suspense 7/10, Humor 7/10. Entertainment 7/10. 75%.
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Christmas home invasion creature feature black comedy with an excellent snowy backdrop. Dougherty fuses German folklore and American genre traditions into a sufficiently entertaining mix in which children are devoured and the titular devil doesn't grow tiresome thanks to a late entry. Formal finesse, good actors and unobtrusive film references are sometimes enough to satisfy, especially at Christmas. 70 %
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The movie left much to be desired. Within the first few minutes, a sense of irritation crept over me, only to be replaced by sheer boredom once the mindless herd was gone. It became clear that there was no one to root for, as each family member seemed either unlikable or left me indifferent. Any attempt at comedy felt like a feeble imitation of Griswold's Christmas, stripped of all its humor by the three(!!!) screenwriters. Horror was notably absent. In the end, it amounted to little more than a background for mundane household chores. / Lesson learned: Ben Affleck's knack for facial expressions could make him an excellent Krampus.
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The story of Krampus may be a bit simple, but it is packed with quite an action spectacle that will keep you entertained. It's something that won't scare you much, but it can sweep you away as very good entertainment. If you want to go to the movie theater to watch something that won't bore you, I think this is exactly the kind of film you should go see. Plus, it has that Christmas family spirit.
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