Regie:
Michael BayKamera:
John SchwartzmanMusik:
Trevor RabinBesetzung:
Bruce Willis, Billy Bob Thornton, Ben Affleck, Liv Tyler, Will Patton, Steve Buscemi, William Fichtner, Owen Wilson, Michael Clarke Duncan (mehr)Streaming (5)
Inhalte(1)
Vorboten eines riesigen Meteors scheinen den Weltuntergang einzuleiten. Fieberhaft arbeitet die NASA an einem Rettungsprogramm, um den vernichtenden Einschlag abzuwenden. Für die waghalsige Aktion werden die besten Fachleute gesucht. Der Ölbohrspezialist Harry S. Stamper wird beauftragt, eine Crew außergewöhnlicher Experten zusammenzustellen. Im Schnellkurs wird das Team auf die gefährliche Mission ins All vorbereitet, denn jede Minute zählt. (ORF)
(mehr)Kritiken (9)
I watched it for so long I definitively fell in love with it. A controlled dose of absolute patriotism with lots of romantic pathos and catastrophically tuned action scenes. Here Michael Bay let loose his megalomaniac destructive imagination for the first time and created the best disaster movie I have ever seen. Bruce Willis has never been such an adored hero.
()
Michael Bay hat es geschafft!!! Ich wusste nicht, dass es einen Film gibt, der Emmerichs Mega-Blockbuster Independence Day mit seiner einfältigen Pathetik übertrumpfen kann. Bay traf jedoch so vehement, dass er das Netz durchbrach und die Zuschauer auf der Hintertortribüne erschlug. Die ersten Minuten deuten allerdings nicht auf eine extravagante Leistung hin, sondern sparen alles für einen anständigen Actionfilm mit guten Schauspielern und einer gewissen sarkastischen Abgeklärtheit auf, spätestens aber, wenn der US-Präsident seine messianische Masche auspackt und eine anonyme Mutter eine der für mich persönlich dümmsten Zeilen der Kinogeschichte ausspricht: "Das ist kein Verkäufer, das ist dein Vater!", kommt Armageddon so richtig in Fahrt. Danach gibt es allerdings eine etwas schwächere Passage, in der der Film Action hat, alles kracht, bricht, repariert... bis es zu einem etwas langweiligen Feuerwerk wird. Aber es gibt auch ein exzellentes Ende, an dem wir endlich einige schöne Kompositionen mit amerikanischen Flaggen (die Schauspieler tragen sie wahrscheinlich sogar in ihren Shorts) und Wortperlen wie "Du warst der Beste, Harry!" zu hören bekommen. Bay explodiert förmlich in einem Orgasmus aus Pathos, Kitsch und Dummheit, der keine Grenzen kennt. Es ist ein Orgasmus, so mächtig wie eine Asteroiden-Explosion, unterstützt durch berühmt inszenierte Aufnahmen und vor allem (zum wievielten Mal?) ein exzellentes Drehbuch, das eine solche verbale und stilistische Kraft hat, dass es mir Kopfschmerzen bereitet hat. Seien Sie nicht böse auf mich wegen des vergebenen Trashs. Es ist Gourmet-Trash, die Art von Trash, die ich wahrscheinlich bis zu meinem persönlichen Armageddon in meinem Herzen tragen werde. Ich bete nur, dass er nicht von etwas anderem besiegt wird. Was hast du da in deiner Tasche, Roland?
()
Clichés, clichés and then some more clichés. Add to that a hearty dose of patriotism and boredom, and the result is Armageddon. I don't want to be biased and so: the introduction with meteorites is decent, the training on the NASA base has flair and wit. The rest, on the other hand, is what I say above.
()
This film requires you to turn off your brain and enjoy the skillfully shot action, the good visual effects and the classic pathos. Simple, dumb, but fun.
()
This is truly an all-time favorite full of quality humor and characters. I'd be hard pressed to find a better elite. Bruce Willis' charisma is unbeatable, I can't get enough of Ben Affleck, the "Rat" Steve Buscemi made me laugh too much, and M.C. Duncan always adds that much-needed missing touch to a film. Perfect direction, a bombastic script, and I have a big soft spot for the music from this film. 100% for me. More than enough laughs and tears.
()
Camera orgies reaching indescribable dimensions, one of the best soundtracks ever created for a film, captivating action, beautiful Bruckheimer-like filters, sharply contoured image composition and perhaps the most exquisite coloring I have ever seen, excellent dynamic direction, romantic scenes alternating with the most action-packed ones, with at least every other shot carrying an emotional charge that doesn’t leave a moment to catch your breath, great voiceovers, and Bay’s stylish and indispensable low-angle. Bruce Willis delivers a magnificent and restrained performance, brilliantly complemented by the rest of the cast, and the screenwriter deserves praise for the wonderfully structured and diverse characters. For nitpicky film student it will be rubbish, for the ordinary viewer, divine entertainment and literally burning filmmaking, showing what can be done nowadays. As Bay himself once said, “I didn't come to cure cancer, but to entertain people.” It is holy truth.
()
A most American film. On the one hand, this is a good thing, because you are entertained almost non-stop and the incredible influx of "last minute" rescues, enormously explosive heroic moments and frantic editing leaves absolutely no room for proper reflection. But the structure of the STORY is actually terribly ridiculous and annoying, and not only due the pervasive pathos, but more importantly because of the utterly idiotic approach to heroism itself. Everything in the movie sucks from the beginning – smaller asteroids hitting the Earth and a doomsday meteor approaching; there's very little time to train drillers; a few rescuers get arrested just before take-off; everything explodes while refuelling on a Russian station, etc., etc. In doing so, the screenplay wants to constantly heighten the drama and tension, only to reinforce the comedic side from the start and destructively dismantle the fatality that the film tries to communicate with cuts to helpless people praying or even that famous melodramatic ending. There are so many deadlines in the finale that you actually stop caring about them and can only enjoy the whirlwind of crazy catchphrases and the overall grandiose concept, which also sometimes intentionally, but mostly unintentionally, highlights the comedic side. And of course, I must mention perhaps the greatest asset, which is the excellent cast, for who else can better sell us the iconic, flawless tough guy better than the charismatic Willis, who else would entertain us more effectively by goofing around and bouncing on a nuclear warhead than Steve Buscemi, who else could make a full-fledged character out of the routine role of NASA director than Billy Bob Thornton, and what man could excel so well in a supporting, almost lightweight Russian role than the traditionally delectable Peter Stormare? Armageddon is enormous bollocks, but, as unconvincing as it sounds, it's honest and cinematically entertaining bollocks. Saving the world is a joke. 65%
()
A star for the special effects and the cast, the rest is drowned in bathos and patriotic clichés.
()
I avoided this movie for a long time. Still, you can't deny that it's sufficiently action-packed, excellently executed in terms of special effects, mostly has great scenery, and is a fantastic tearjerker. Then you might forgive Bay here and there for those Bay-esque absurdities he stuffs into every movie and the ridiculously far-fetched plot that pretends to be extremely believable. But a crisis situation indeed calls for crazy solutions. And this is really crazy. Great actors, carried by Bruce Willis.
()
Werbung