Regie:
Woody AllenDrehbuch:
Woody AllenKamera:
Gordon WillisBesetzung:
Woody Allen, Charlotte Rampling, Jessica Harper, Marie-Christine Barrault, Tony Roberts, Daniel Stern, John Rothman, Armin Shimerman, Largo Woodruff (mehr)Inhalte(1)
Der erfolgreiche New Yorker Filmregisseur Sandy Bates begibt sich über das Wochenende auf ein Filmseminar in New Jersey, wo auch eine Retrospektive seiner Filme gezeigt wird. Obwohl ihm seine vorzugsweise weiblichen Fans allenthalben huldigen, versinkt Bates in Depressionen und Unzufriedenheit. Er hat genug davon, immer nur witzige Filme zu drehen, und auch mit den Frauen scheint er kein Glück zu haben: Er trauert seiner früheren Geliebten Dorrie nach und wird vom Auftauchen seiner derzeitigen Freundin Isobel in New Jersey überrascht, wo er doch eigentlich gerade ein Auge auf die junge Violinistin Daisy geworfen hatte. (ORF)
(mehr)Kritiken (4)
Ja, der Film enthält einige wirklich gelungene Allen-Witze, über die man einfach lachen wird, und ja, es gibt hier sehr gute schauspielerische Leistungen, aber insgesamt wirken die Erinnerungen an den Sternenstaub leicht ermüdend. Ich ziehe einfach die extremen und originelleren Woody-Komödien wie Schläfer vor. In jedem Fall ist das hier nicht weit von vier Sternen entfernt und bei etwas besserer Stimmung würde ich sie auf jeden Fall geben. Vielleicht beim nächsten Mal.
()
Soso, es kommt nicht darauf an, wohin der Zug fährt, er kann ruhig zur Müllkippe fahren. Hauptsache man sitzt im Waggon mit jemandem, mit dem man dort gern sitzt. Ein sehr guter Film. Er kam mir nur entweder zu lang oder zu zerstreut vor. Ich weiß es nicht genau. Jedenfalls gehen hier Unterhaltung und Intelligenz Hand in Hand. Sie werden von sanften Emotionen ergänzt, was eine lang bewährte Kombination ist.
()
Stardust Memories is the kind of film where individual scenes work very well, but something is missing from the film as a whole. It lacks something like a story and catharsis. It is an autobiographically inclined film about a director who is going through a creative crisis and dealing with the failure of his last film, which received reserved criticism and reception from both critics and audiences. Allen engages with both groups and fills the screen with eccentric characters who are entertaining in their appearance and dialogues. However, as the minutes pass, and this film does not have a long duration, the image becomes increasingly scattered and the film becomes more neurotic than its creator. Just like Woody Allen, his film alter ego also decides at some point to stop making comedies and focus on more tragic aspects of human life, but comedies simply have an easier time with audiences. A few scenes, such as the one where Allen gets on a train full of gloomy and unattractive people, and notices that on the opposite platform, a train full of seemingly successful people is leaving, and desperately and unsuccessfully tries to get into the other train, remain in the viewer's memory - partly because they capture our life feelings well. But the film doesn't work as a whole. Overall impression: 60%.
()
Just as people and their natures often change unexpectedly, so can one's opinion of a film completely flip. My recollections of it had for some time made this the worst film from my creative idol, but when I gave it a second chance, I couldn't believe how everything was suddenly different. Woody Allen shows a small part of his life, the battle with producers. He can say as long as he wants that he didn't write the script as an autobiographical statement, but when I read his account of how the audience, critics, or the studio couldn't understand why such a talented comedian was making films like Interiors, it became clear to me that he put a big part of himself into this film. And when he was in full swing, I can't recall him ever jumping so wildly from life philosophy to ironic remarks and from introspective glances into the depths of relationships to subtle critiques of society. However, he ultimately ends calmly, whether on his own screen as the hero of the film or in the theater as a contemplative loner. Because all comedians are ultimately sentimental. And it takes a certain level of maturity to reach this stardust memory.
()
Werbung