Regie:
Ang LeeDrehbuch:
Emma ThompsonKamera:
Michael CoulterMusik:
Patrick DoyleBesetzung:
Emma Thompson, Alan Rickman, Kate Winslet, Hugh Grant, James Fleet, Harriet Walter, Gemma Jones, Elizabeth Spriggs, Robert Hardy, Greg Wise (mehr)Streaming (5)
Inhalte(1)
Die Geschichte der zwei Dashwood-Schwestern, der vernünftigen Elinor und der ungestümen Marianne, zeigt lebendig und spannend zugleich, wie aufregend und schwierig es doch sein kann, den Mann fürs Leben zu finden. Und ihn auch zu behalten... (Verleiher-Text)
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Ich habe es seinerzeit geliebt, aber dann habe ich es gegen Betty und ihre Schwestern eingetauscht. Es war ein großer Fehler, dass Kirsten Dunst nicht die jüngste Dashwood gespielt hat, das wäre gleich etwas anderes gewesen.
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Diese spektakuläre Inszenierung von Jane Austens berühmtem romantischen Meisterwerk ist ein Paradebeispiel für die elegante Kombination von unglaublicher Schauspielkunst, einem ausgefeilten Drehbuch und einer glaubwürdigen audiovisuellen Präsentation. Das ganze Stück verströmte eine charmante britische Atmosphäre, von den historischen Kostümen über die alten Herrenhäuser bis hin zum typisch regnerischen Wetter. Hervorzuheben sind die junge Kate Winslet, die sympathische Emma Thompson und die angenehm nervige Elizabeth Spriggs. Kurzum, dieser Film ist in jeder Hinsicht genau mein Ding und hat meine Erwartungen perfekt erfüllt.
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British delicacy in a charming romance, where even Alan Rickman is a sentimental dreamer and it's a joy to watch the cheerful Kate Winslet and the sensible Emma Thompson. Ang Lee is a wizard who has managed to adapt to the British storytelling spirit and in so doing selected the ideal passages from Jane Austen's language. Thanks to the absolute happy ending, we may not get any bigger surprises, but that's not the point. Sit down, enjoy, experience, and cry with emotion.
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By far the best film adaptation of any of Jane Austen’s novels. Ang Lee is a professional, so he didn’t leave anything to chance. He bet everything on the best British actors of that time and they rewarded him with unique performances. Hugh Grant, Kate Winslet, Emma Thompson and Alan Rickman did a great job, but it doesn’t mean the rest of the cast was any worse, absolutely not. The problem is the story itself which is too sweet for its own good. Everything is of course very theatrical and some of the characters are unbearable. I could see the director didn’t take it too seriously, so I quite enjoyed the whole 131 minutes of the film.
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Practically everyone has experienced it to some extent - the movie has great reviews, festival recognition, and enthusiastic fan reviews - but when you finally watch it, you feel like you're a victim of a conspiracy and that the others can't be serious. While I'm not a typical fan of romantic films, I can still enjoy many of them. However, reason and emotion cannot be attributed to them. The problem is not in the cast, the performances of the actors, or the directorial concept and set design - they are mostly highly professional. The problem lies in the literary source. Comparing Jane Austen's work to the pulp fiction style is too cheap; her work has higher ambitions and a significantly better literary style. Nevertheless, her novel is penny-dreadful, with all the negatives associated with this genre. All the typical character types, plots, and the necessary and easily predictable happy ending can be easily found there. All of this could still be forgiven if the author used lively language and humanized her characters. Artificiality and contrivance oozed from the dialogues, which you don't often see, and the characters were more like caricatures. Thus, in moments of fervent confession, I bit my lips to avoid laughing and ruining the emotional scene. Perhaps, and probably, people behaved like this at social gatherings and official occasions, but never in private. The constant use of consistent literary language, big words, and ideas is very unbelievable. Overall impression: 35% for the grandiosely filmed and acted boredom.
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