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Neil BurgerDrehbuch:
Neil BurgerKamera:
Enrique ChediakMusik:
Trevor GureckisBesetzung:
Tye Sheridan, Lily-Rose Depp, Fionn Whitehead, Colin Farrell, Chanté Adams, Quintessa Swindell, Archie Madekwe, Isaac Hempstead-Wright, Viveik Kalra (mehr)Streaming (4)
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Da die Zukunft der Menschheit auf dem Spiel steht, schickt die NASA unter der Leitung von Richard (Colin Farrell) eine Gruppe von 30 Kindern, die auf Intelligenz und Gehorsam gezüchtet wurden, auf eine fast hundertjährige, generationsübergreifende Expedition zur Kolonisierung eines fernen Planeten. Als die Jugendlichen zu Erwachsenen werden und ein verstörendes Geheimnis über ihre Existenz ans Licht kommt, beginnt das Leben auf dem Raumschiff langsam im Chaos zu versinken. (EuroVideo Media)
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Nach den Kritiken hier, auf Imdb und RT zu urteilen, habe ich von Voyagers Schlimmeres erwartet. Gleichzeitig will ich nicht behaupten, dass mich Burgers Film in irgendeiner Weise gefesselt hat. Das Thema selbst hatte definitiv Potenzial, aber es ging in der Bearbeitung verloren, die mehr (oder ansprechender) mit den Charakteren, der Umgebung eines Raumschiffs ohne Fluchtmöglichkeit und dem Aufbau der Gesamtatmosphäre hätte funktionieren können. Voyagers zeigt, wie Menschen von (unerwünschten) Emotionen bewegt und wie leicht Menschen manipuliert werden können, wenn ein gestörtes (Möchtegern-) "Alphamännchen", das Angst und Unwissenheit auszunutzen weiß, die Macht übernimmt. Es fehlen die gewünschte "kosmische Enge und Hoffnungslosigkeit" (siehe Alien, Gravity oder Life) und eine rauere Behandlung, die aufgrund der Ausrichtung auf ein jüngeres Publikum vernachlässigt wird, aber es ist immer noch ein solider Drei-Sterne-Happen. P. S. Ein Vergleich mit Herr der Fliegen, den ich (noch) nicht gelesen oder gesehen habe, ist angebracht!
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Director Neil Burger set the bar so high after Limitless that he will probably never surpass it. Although Voyagers is not too ambitious, it is definitely a cool and enjoyable bit one-off, worth more attention than this year's sci-fi offerings from Netflix. The film takes place in the near future on a spaceship with a thirty-member crew of young people searching for a new home. As it usually happens, their relationships start to deteriorate early on, with characters changing and dividing into groups. The acting is decent. Tye Sheridan is a likeable protagonist and Lily-Rose Depp is adorable. Colin Farrell is also good in a smaller role. The film is nicely shot and at times it is quite suspenseful. At times, I was hoping it would turn into a nice carnage, but perhaps I wanted too much. It didn't offend me, I enjoyed it, I have no problem with it. Those who have nothing else to watch and love sci-fi will definitely not waste their time with this. 6/10.
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When comrade teacher Farrell left the classroom, it was clear that sniffing around the exercise bike saddle in the women’s gym would be the least of the rowdy youth’s transgressions. Neil Burger's Das Boot in the depths of space, however, seemed to forget that the devil is in the details. If he had focused more on the method of child-rearing before the start, from which the story could then develop, and not immediately attempted to bend Jack Sparrow’s daughter and the narrative into cheap manipulation, maybe I wouldn’t have ended up feeling that instead of a reasonably intelligent Holly, I was watching a Cat ordering fish repeatedly at a vending machine. This box office bomb deservedly exploded.
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I suspect there was a far more interesting and clever script behind this originally than what eventually made it into the movie. That plot about an inter-generation raised solely to preserve the human genome before it reaches a colonizable planet is excellent, and quite timely in this day and age when many young people similarly see their role in preserving humanity in the shadow of climate change. The problem is that the film doesn't develop the most essential information needed for the plot at all. If we're faced with a group of people raised in complete isolation from the rest of the world (so they don't suffer from mourning for earth), and all we see of their upbringing is the performance of abstract tasks, that's not enough to understand the experiences and patterns of behavior they continue to act upon. Without that, we are sadly left with a simple-minded genre tale about how some of us are naturally bred for the gallows, with representative democracy being the solution. Which, given the potential of the subject matter, is a pretty lame outcome. Especially when the physical cinematography and quieter narrative suggest the film had ambitions elsewhere.
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Burger is good at nice visuals and the premise is interesting, but that isn’t enough. The screenplay is weak and soon slips into a predictable routine. The kids behave like idiots, but not one of them is likeable. The only one to make an impression in acting terms was Colin. + Shame that we didn’t get a look at the surface of the planet.
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Galerie (36)
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