Regie:
Thomas BezuchaDrehbuch:
Thomas BezuchaKamera:
Guy GodfreeMusik:
Michael GiacchinoBesetzung:
Kevin Costner, Diane Lane, Lesley Manville, Kayli Carter, Booboo Stewart, Jeffrey Donovan, Will Brittain, Ryan Bruce, Adam Stafford, Bradley Stryker (mehr)Streaming (5)
Inhalte(1)
Nicht ohne unseren Enkel: Kevin Costner und Diane Lane setzen in diesem Neo-Western alles daran, ihren kleinen Enkel aus den Fängen eines gefährlichen Familien-Clans zu befreien. (Sky Cinema)
Kritiken (5)
Ein Eastwood-Film ohne Eastwood und mit Costner. Ein Stoff mit schönen Themen, die Darstellung ist aber irgendwie zu einfach und zu oberflächlich. Genre-Klischees zusammen mit Giacchino, der sich mit einem poetischen Western-Klimpern vergebens darum bemüht, das Komponisten-Duo Eastwood/Niehaus nachzuahmen. Das alles bestätigt die Durchschnittlichkeit dieses Werkes. Schade – Diane Lane bemüht sich und verleiht dem Film (als einzige) eine Andeutung von Tiefe. Das Motiv mit dem einsamen Indianer hat auch etwas an sich.
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Diejenigen, die nicht wissen, was Steigerung bedeutet, sollten sich Lass ihn gehen anschauen. Ein Oldschool-Film mit großartigen Schauspielleistungen von Diane Lane und Kevin Costner und einer Stimmung, die immer dichter wird, bis sie brennt.
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A 1960s Western vibe, retired sheriff Kevin Costner and the always good and attractive Diane Lane are on the trail of their grandson who is in the hands of a violent man and a strange family. The film moves at a very slow pace but manages to build up the atmosphere nicely, at least from the family dinner – lately a major point of confrontation in – escalating with a scene in a room and culminating in an atmospheric finale where there is a bit of action. A powerful story with impressive performances, a tightly packed atmosphere and heightened emotion. Not for everyone but I enjoyed it. Story****, Action**, Humor>No, Violence**, Entertainment****, Music***, Visuals****, Atmosphere****, Suspense***. 7/10.
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A suspense flick where almost everything works in a minimum of space. Costner and Lane had already proven themselves as a film couple in Man of Steel, and it was probably no coincidence that they reprised similar roles several years later. A typical Eastwood movie that lacks the traditional morose Eastwood, but instead there's a damn cool Costner in his typical "semi-scruffy guy" role that he's been playing for a good decade now, and it’s still fun, as it's apt, from life and avoids useless talk about nothing. Costner's character here is also the quiet type, but he's on point and the film's strongest moments are around him. In contrast, Diane Lane puts in a palette of expressive emotions and sometimes the writers untie her hands too much, overwhelming the viewer with dialogue that could have been shorter. Another great little film that is sometimes painful to watch, but throws in some interesting moments to ponder about family, relationships, life's losses, etc.
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The result exceeded my expectations in full! It’s a slowly unfolding, old-school film that drags in some moments (especially the first half is a prime example), but on the other hand, it stays firmly in the above-average range, thanks to the perfect chemistry between the lead actors (Kevin Costner, Diane Lane). While the plot isn’t particularly innovative, as a viewer, I was still surprised by one crazy situation that I really didn’t expect. From the dinner scene at the beginning of the second half (which is, for me, the best sequence of the entire film, with the dense atmosphere literally palpable), the film picked up pace, and the dialogues were gripping. It all concluded with a successful, cathartic, and simultaneously sad ending. I can imagine that with a more capable director, we might have had a film of the year. But satisfaction still prevails. For me, 7.5/10
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