Regie:
Jan-Ole GersterDrehbuch:
Blaz KutinKamera:
Frank GriebeMusik:
Arash SafaianBesetzung:
Corinna Harfouch, Tom Schilling, Volkmar Kleinert, André Jung, Rainer Bock, Friederike Kempter, Susanne Bredehöft, Gudrun Ritter, Maria Dragus (mehr)Inhalte(1)
Es ist Laras sechzigster Geburtstag, und eigentlich hätte sie allen Grund zur Freude, denn ihr Sohn Viktor gibt an diesem Abend das wichtigste Klavierkonzert seiner Karriere. Schließlich war sie es, die seinen musikalischen Werdegang entworfen und forciert hat. Doch Viktor ist schon seit Wochen nicht mehr erreichbar und nichts deutet darauf hin, dass Lara bei seiner Uraufführung willkommen ist. Kurzerhand kauft sie sämtliche Restkarten und verteilt sie an jeden, dem sie an diesem Tag begegnet. Doch je mehr Lara um einen gelungenen Abend ringt, desto mehr geraten die Geschehnisse außer Kontrolle. (Constantin Film AT)
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A very solid psychological drama in which Corinna Harfouch excelled. To put it politely, Lara was being a blatant bitch. It is not surprising, then, that she was not very popular among those who knew her better. I didn't feel much sympathy for her either, but I was all the more interested to see what would come of it all. The final denouement after the convoluted concert was quite devastating, and I genuinely felt sorry for Lara. It would shake anyone to suddenly realize at a mature age that the dreams from their youth could have been fulfilled if they had had more self-confidence and not been swayed by the opinions and doubts of their former teacher. (80%)
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*Lara* might seem like a classic overbearing "helicopter mom" on the surface, but the psychological storm brewing inside her during her son’s big piano concert is something else entirely. It's the kind of character study that feels like it was pulled straight from a psychology textbook. A really solid German film.
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