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Jaume Collet-SerraKamera:
Lawrence SherMusik:
Lorne BalfeBesetzung:
Dwayne Johnson, Sarah Shahi, Viola Davis, Pierce Brosnan, Noah Centineo, Aldis Hodge, Quintessa Swindell, Odelya Halevi, Joseph Gatt, Marwan Kenzari (mehr)Streaming (5)
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Fast 5.000 Jahre ist es her, dass die antiken Götter Black Adam (Dwayne Johnson) mit unvorstellbaren Kräften beschenkt haben. Fast ebenso lange fristete er sein Dasein in Gefangenschaft. Doch nun wurde er aus seinem irdischen Kerker befreit – und ist fest entschlossen, die moderne Welt seine ganz eigene Form der Rache spüren zu lassen. (Warner Bros. AT)
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Beim Anschauen von Black Adam hatte ich das Gefühl, eine Art Verschmelzung von MCU- und DC-Filmen zu sehen, vor allem in Anbetracht der Charaktere - Doctor Fate (Strange), Hawkman (Falcon), Atom Smasher (Ant-Man) und Cyclone (Storm/Enchantress) - deren fast schon rip-off-artige Ähnlichkeiten mich manchmal ein wenig irritierten. Actiontechnisch ist der Film recht solide, auch wenn es ein paar ungesunde Zeitlupensequenzen gibt (ohne sie wäre der Film vielleicht zehn Minuten kürzer gewesen) - aber egal. Ich fand die Darsteller etwas ungeschickt gewählt und in einigen Fällen zweitklassig (siehe die nur vermeintlich lustige und heldenhafte Familie). Schade, dass Black Adam nicht, wie der Titel vermuten lässt, etwas düsterer ist (aber visuell nicht so schlimm wie BvS), und schade, dass er den Humor nicht weniger drastisch ausreizt. (Spoiler-Alarm) Ich fand es "amüsant", dass Marwan Kenzari im Grunde seinen Jafar noch einmal gespielt hat.
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Dwayne Johnson is beginning to look like Steven Seagal, at least in action movies. This is unwatchable. Tarantino is right, the last two decades of cinema, crammed with colourful comic book adaptations, is a dark era. Films made to order, without their own identity, creative passion and without a shred of originality. Thank goodness for exceptions like James Gunn (well, okay, the last Avengers and its emotional spark was pretty OK too, the one-eyed king among the blind).
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I really don't want to watch this anymore. After Zack Snyder’s departure, I thought Warner wouldn't send these movies out anymore, but Black Adam actually looks exactly the same as the Snyder films, only that Jaume Collet-Serra uses about a third less slow motion. We still get more than an annoying amount of it though, and when the action starts, you don't really enjoy it because when it's not slow motion, it's either chaos or just golden-blue flashing. And there’s action more or less all the time, because there's nothing to stand on in terms of story, character depth, or anything else that could potentially engage, and they probably knew that. Black Adam is an emaciated over-colourful action flick that tries to be theatrically spectacular, but comes across as ridiculous and often even embarrassing (the skateboarding boy brings to mind the worst of 90s clichés). Dwayne Johnson stares and tries in vain to convince himself that he's playing Clint Eastwood, and getting through this collection of dull visual attractions, empty story and flat characters to the end credits is ultimately quite a chore. But it does have an advantage, an hour and a half after the screening ended, I remember nothing of Black Adam.
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It's not often that a DC film grabs my attention, but this one did. It has what many other DC films lack: humor, engaging characters, and Dwayne Johnson as the perfectly conflicted superhero Black Adam. Add in some impressive action scenes directed by Jaume Collet-Serra, and you've got an American adventure blockbuster that I thoroughly enjoyed.
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They try their best, but with a stupid and muddled script that even The Rock can’t move. Dwayne's dream project has finally arrived and it's not bad, but it's not very good either. It’s average, with an excellent Brosnan, whose Doctor Fate deserves his own film. On the other hand, the rest of the JSA team, or whatever it was, is rather crap, but someone has to do that job. Black Adam has a couple of great scenes where he slices up the bad guys, rips their arms off, and doesn't coddle them at all, but he gets to the gory action for strange reasons, often with no apparent motivation. Colett-Serra doesn't have a coherent story to fill out the Snyder-esque slow motion action, but he tries; it's not much fun, unfortunately. Now we need to pray that Gunn writes the script for the sequel and that Clark will by for more than a brief chat.
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