Regie:
Peter SegalKamera:
Robert M. StevensMusik:
Ira NewbornBesetzung:
Leslie Nielsen, Priscilla Presley, George Kennedy, O.J. Simpson, Fred Ward, Anna Nicole Smith, Ellen Greene, Earl Boen, Rosalind Allen (mehr)Streaming (5)
Inhalte(1)
Eigentlich hat sich Lieutenant Frank Drebin von der Spezialeinheit (Leslie Nielsen), mittlerweile mit seiner Angebeteten Jane (Priscilla Presley), ja zu Ruhe gesetzt. Doch er wird überredet, einen Undercover-Auftrag im Staatsgefängnis zu übernehmen. Dort findet er heraus, dass auf die Oscar-Verleihung ein Bombenanschlag verübt werden soll… (Verleiher-Text)
(mehr)Kritiken (6)
Watch this movie in 2030 and you’ll see that no comedy movie can compare. It’s 2018 already and still, nothing does.
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Zu allem Überfluss sorgt Frank Drebin, der Schreck aller Schurken (aber auch Königinnen), für Unterhaltung. Er mag auf den ersten Blick weicher geworden sein, aber er kann immer noch ein Karussell von verrückten Ereignissen in Gang setzen, die unsere Zwerchfelle in Atem halten. Die Sequenz in der Samenbank hat mir nicht ganz gefallen, aber der Rest des Films war angenehm unterhaltsam. Die Szene von der Oscarverleihung mit ihren vielen Anspielungen auf (nicht nur) zeitgenössische Filme war wirklich nicht schlecht. P. S. Die Goldene Himbeere für Anna Nicole Smith war genau richtig - sehr, sehr "big bad".
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I think this part is the best of the whole trilogy. The scene at the Oscars is unforgettable. Zucker made a comedian out of Leslie Nielsen, Leslie Nielsen made a buffoon of himself in his other films.
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A lot crazier than the first two. There are more crazy gags, crazy situations and references to Hollywood films, which are mostly really good (the opening parody of The Untouchables is awesome). What remains, however, is the determined Lieutenant Leslie Nielsen, a.k.a. Frank Drebin, who once again belts out one catchphrase after another, showing that there was no better comedian in American cinema in the 1990s. Peter Segal has a different style than David Zucker, and the goofiness of the main characters is probably more purposeful and important than ever before, but if any director could make a threequel to two legendary comedies of this quality, I certainly wouldn't complain. 4.5*
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The final installment of a trilogy about the life, adventures, and sexual exploits of Lieutenant Frank Drebin may not have been the best of the three, but still easily worth four stars. Again, I felt that some of the jokes were past their zenith and sounded a bit cringeworthy, but most of them still worked for me. I never really expected a profound (or even artistic) experience of this type of comedy, and thankfully the creators didn't even pretend to aim at anything like that, so I got exactly what I expected even the third time around. An unpretentious yet entertaining film, which makes me just relax and enjoy myself, with a goofy grin on my face the whole time. / "Why don't you want a child?" "Didn't I try to adopt that 18-year-old Korean girl?" / Lesson learned: Being in a relationship isn’t without obstacles. Your partner may be quite difficult to please.
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When you watch films with Frank Drebin, you wonder what happened to those crazy American comedies that used to be so damn funny. Nowadays, it's not the same, and out of ten comedies, maybe only one stands out if even that. And by "stands out," I mean that you actually have something to laugh about. When a film like American Hustle is labeled as a comedy, it's quite strange indeed. The Naked Gun films are wonderfully zany comedies, and this is confirmed by the third installment, which manages to be incredibly entertaining and surprises with new and relatively fresh jokes even in its third outing.
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