Regie:
Hayao MiyazakiDrehbuch:
Hayao MiyazakiKamera:
Atsushi OkuiBesetzung:
Takuya Kimura, 倍賞千恵子, Akio Ōtsuka, Ryūnosuke Kamiki, 大泉洋, Shigeyuki Totsugi, 美輪明宏, 加藤治子, Makoto Yasumura, Mayuno Yasokawa, Seiji Sasaki, Keiko Tsukamoto (mehr)Streaming (3)
Inhalte(1)
Sophie arbeitet als einfache Hutmacherin. Als sie auf der Straße von zwei Soldaten belästigt wird, kommt ihr der Zauberer Hauro zu Hilfe, in den sie sich sofort verliebt. Aus Eifersucht verwandelt eine Hexe aus dem Niemandsland das Mädchen daraufhin in eine alte Frau. Allen Gefahren zum Trotz, macht sich Sophie auf den Weg zum wandelnden Schloss und zu ihrer großen Liebe Hauro. (ProSieben MAXX)
(mehr)Kritiken (12)
Der Übergang von einem Steampunk-Märchen zu einem philosophischen Abenteuer voller verschiedenster Metaphern war so nahtlos, dass ich ihn eigentlich kaum bemerkt habe. Der Film war vom Anfang bis zum Ende unterhaltsam, auch wenn ich gegen Ende manchmal etwas verwirrt war, was gerade passiert. Dass Miyazakis Fantasie bewundernswert ist, habe ich schon mehrmals geschrieben, aber ich schreibe es gerne nochmal. Ein wunderschöner Film mit einer wunderschönen Hauptbotschaft.
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Miyazaki hat mich zum ersten Mal mit Chihiros Reise ins Zauberland begeistert, und hier hat er seinen Status als einer der besten Animatoren aller Zeiten bestätigt. In vielerlei Hinsicht ähneln sich Das wandelnde Schloss und Chihiros Reise ins Zauberland (das Aussehen der Figuren, das Motiv der Liebe zwischen einem Mädchen und einem übernatürlichen Wesen), aber das ist keineswegs schlecht, denn der Regisseur versteht es, dies mit Eleganz zu präsentieren. Wenn ich diese beiden Miyazaki-Werke vergleichen sollte, würde Chihiros Reise ins Zauberland um Haaresbreite gewinnen. Die Hexe aus dem Niemandsland war ein wirklich interessanter Charakter und das Schloss selbst war einzigartig. Die Musik und die Animation waren ein Augen- und Ohrenschmaus. Dieser Regisseur weiß einfach, wie er den Zuschauer fesseln kann.
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Eine faszinierende Handlung. Der Film hat mich in eine Welt der Fantasie hineingezogen. Auch das Drehbuch ist erstaunlich!
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What I appreciate about this film is its unpredictability. Miyazaki completely breaks the stereotype of fairy tales or fantasy stories – you have no chance to guess what will happen in the next few minutes, you are constantly surprised, the differences between bad and good characters are blurred (the one who is the embodiment of evil at the beginning can become a good friend) and all this happens without any stumbles in logic. Moreover, Miyazaki is like a small child, blessed with a vivid imagination, throwing one obscure idea after another in front of him. The film combines the classic fairy tale world with the industrial age of steam, the classic world of magic with crazy war mechanisms. The viewer's senses are so overwhelmed that the final impression sometimes teeters on the verge of being cluttered (which is my only complaint).
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Very beautiful animation, we will all agree on that, but that story… At the beginning I was satisfied and surprised; I’ve never been a fan of Japanese anime, so I was caught off-guard with how much I was enjoying Howl's Moving Castle – a nice fairytale with magic, charm and likeable characters. But somewhere around the middle, things change completely and I didn’t understand anything; I have no idea what started to happen and why. The character that up to that point was supposed to be the main villain suddenly becomes the best friend. Really, what the fuck? I don’t quite get all that praise for Miyazaki’s films. Maybe it’s because my mentality is too anchored in the west, I don’t know. 60 %
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It's been barely a few days since I complained while reviewing The Cassandra Crossing that it wasn't an ideal movie to watch with an elevated temperature. Howl’s Moving Castle is the exact opposite. It's hard to find a more ideal movie to spend time with during an illness. Overall, Miyazaki's imagination is a good one for delirious states of mind. One immediately understands him better. This is the most mature project to come out of the Ghibli studio so far (even though it’s an adaptation of a children's book). It lifts your mood, delights, surprises you with the untrodden plot paths it takes and, above all, completely disarms you with its ideas and originality. A genuine work of art, and not only in terms of the animation. Personally, I wonder if it is even possible to go further in the field of classic, hand-drawn animation. I sincerely doubt it.
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The most romantic creation from the Master of fantasy. Throw away the quality standards because here we fly over mountains, doors open into four different spaces, all the main characters change their appearance, and magic is not far away. And the world of animated film is once again richer by one little treasure, much to my immeasurable joy.
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Miyazaki's films grab you by the hand and take you on a magical walk through an incredible landscape. He is simply a sure thing. Once again I couldn't stop gawking at the sheer amount of boundless imagination and beautiful music. The story here was perhaps even more engaging than in Spirited Away, yet as a whole it falls a little short of it. I could still use another half a teaspoon of cuteness here. Even so, it's extremely real... almost 5 stars.
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I can't help but like this movie the most from Miyazaki so far, where does a Princess Mononoke a.k.a. eco-agitator go? :-) No, but I just find this a beautiful story with music that suits it. My only regret is that he didn't dye his hair back in the end, he really liked the blonde one better :-)) Daisuki! I'm going to bed with a smile on my face, reassured. And I like it that way because I want to have a good night's sleep. But that doesn't belong here anymore. ;-)
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Miyazaki's films usually present an original world and an original story, it is not the usual squeezing of classic fairy tale motifs that everyone knows by heart. Howl's Moving Castle is a geyser of visual fantasy, a peculiar kind of fairy tale fantasy with a distinctly anti-war message. Excellent drawings, obviously inspired by classical Japanese manga, careful animation, and above all a colorful plot where the world of magic, demons, and wizards comes to life. The first half is reliably worth five stars, but in the last third, the script becomes unnecessarily overcomplicated, and the adventurous story turns into a romance that dangerously plays with kitsch at the end with the arrival of the rescued prince, happy smiles, and kisses. The wizard's castle, as a strange combination of a hut on chicken legs and an industrial complex, which seems to have come out of Terry Gilliam's creative workshop, remains most vividly in my memory. Overall impression: 80%.
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As with Miyazaki's other films, what captivated the most was the main idea around which the story unfolds. However, while Spirited Away added something extra to the wonderfully imaginative story, something that forced me to devour every image and watch every scene with joyful anticipation, Howl's Moving Castle, with its strange but literally unprecedented in animation concept and perfect sophistication, did not allow me to appreciate all its beauty with anything more than "my eyes and ears". But that doesn't change the fact that Miyazaki is probably the best animator of our time and that Howl's Moving Castle is a most beautiful and impressive film.
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That was indeed a cinematic fairy tale for me, one that I won't forget. Hayao Miyazaki obviously has a surplus of imagination, because otherwise, he couldn't have created such a captivating world as in the anime Howl's Moving Castle. Even now I am still intoxicated by the visually imaginative film imbued with a romantic atmosphere and brimming with sympathetic characters. Calcifer, the demon trapped in the fireplace, is really great. The pleasant music and gentle, non-intrusive humor that the story possesses are certainly worth mentioning. (90%)
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