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Kenneth BranaghDrehbuch:
Scott FrankKamera:
Matthew F. LeonettiMusik:
Patrick DoyleBesetzung:
Kenneth Branagh, Andy Garcia, Emma Thompson, Lois Hall, Richard Easton, Jo Anderson, Patrick MontesDeOca, Raymond Cruz, Robin Williams, Wayne Knight (mehr)Inhalte(1)
Mike Church ist ein Privatdetektiv in L.A. mit Witz, Charme und dem Talent, vermisste Personen aufzuspüren. Church ist zunächst ratlos, als er engagiert wird, einer schönen jungen Frau mit Gedächtnisverlust zu helfen, die von schrecklichen Albträumen gequält wird. Dann bringt ihn ein exzentrischer Antiquitätenhändler und Hypnotiseur auf eine seltsame Spur. Könnte die Ursache der Albträume im Jenseits liegen? Welche Verbindung gibt es zu Margaret Strauss, der weltberühmten Pianistin, die 1948 angeblich von ihrem Komponisten-Ehemann ermordet wurde? (Verleiher-Text)
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Kenneth Branagh directed a film that could be called Hitchcockian, both in terms of the tension that is palpable and built on a good script and in terms of the humor used, which is a pleasant seasoning. It works brilliantly until the end, where it almost has a touch of Italian giallo in its madness. It was a surprise to me.
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Dead Again is obviously an ambitious film directed by one of the most respected British film and theater creators, and as such, it is masterfully cast and competently acted. Kenneth Branagh was the life partner of Emma Thompson until their infamous divorce, and so the chemistry between the two main characters truly works. Unfortunately, the form clearly outweighs the content. The screenplay is overly complicated, with a tendency toward pathos, and Branagh fails to understand that today's era is more civilized than the Shakespearean one. Also, the mysterious content goes over my head and I don't really understand the reincarnation and playfulness with fate. The pathos is dominated by the theatrical bloody finale. Overall impression: 50%.
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It tries to be more Hitchcockian than Hitchcock and De Palma combined, and I ate it up, including the romantic interludes (the scenes from the post-war period that were "bleached" later were the most enjoyable). On top of that, we get the eccentric antiquarian Jacobi and Williams from the self-service store, who confirmed his unique ability to switch between comedy and drama even in a small space. However, I believe that after the premiere, even Branagh himself exclaimed, much like one of Shakespeare's heroes on the battlefield of Bosworth: "Enough! A kingdom for an end where the characters won't fly in slow motion toward a sculpture of scissors!"
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